Born the son of an insurance broker and a housewife in Allestree, Derbyshire,
England. Alan Arthur Bates started out at grammar school and earned
a scholarship to the London Royal Academy of Dramatic Art, and following
two years in the Royal Air Force, made his stage debut in 1955 with
the Midland Theatre Company at Coventry. He made his West End debut
in 1956 in the English Stage Company’s first production - and made
his true breakthrough with a starring role in Tony
Richardson's premiere staging of John Osborne's Look Back in Anger.
His film debut was playing one of Laurence
Olivier's sons in Tony Richardson's
The
Entertainer (1960). Following this he appeared as a fugitive in
Bryan Forbes' Whistle
Down the Wind (1961), and a working-class dreamer in John
Schlesinger's A
Kind of Loving (1962).
During the remainder of the 1960’s Bates performed in some of the decade’s
most important films, including Zorba the Greek (1964), alongside Anthony
Quinn, Georgy Girl
(1966), Far From
the Madding Crowd (1967), the Academy Award nominated The Fixer
(1968), and an infamous wrestling session with Oliver
Reed in Women
in Love (1969). Bates began the subsequent decade on a very positive
note, cast alongside Julie Christie as illicit
lovers in Joseph Losey's The
Go-Between (1971). Later work was less inspiring and appealing film
roles dried up, but Bates continued to illustrate a love of acting rather
than any desire for commercial success. During the next 20 years few
film were of note except the dreamy fantasy The Shout (1978), a minor
role in Lindsay Anderson’s
Britannia Hospital
(1984) and Zeffirelli’s Hamlet (1990). In 1995, Bates was awarded the
CBE, and knighted in 2003. He appeared in Robert Altman’s Gosford
Park (2002), and was once again worked regularly – a hectic schedule
that helped him overcome the death of his son and wife during the 1990’s.
He later died in 2003 from cancer of the liver at the age of 69.
