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Pygmalion |
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Pygmalion - 1938 | 96 mins | Drama | B&WThe Production TeamDirector: Anthony
Asquith and Leslie Howard.
Asst Director: Teddy Baird. Producer: Gabriel Pascal. Script: George Bernard Shaw, from his own play. Also Anthony Asquith, W.P. Lipscomb and Cecil Lewis. Cinematography: Harry Stradling Sr. Art Direction: John Bryan. Editing: David Lean. Production Manager: Phil C. Samuel. Costume Design: Ladislaw Czettel. Sound: Alex Fisher. Original Music: William Axt and Arthur Honegger. Conductor: Louis Levy. |
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The CastLeslie Howard
- Prof. Henry Higgins Wendy Hiller - Eliza Doolittle Wilfrid Lawson - Alfred Doolittle Marie Lohr - Mrs. Higgins Scott Sunderland - Colonel Pickering Jean Cadell - Mrs. Pearce David Tree - Freddy Eynsford Hill Everley Gregg - Mrs. Eynsford Hill Leueen MacGrath - Clara Eynsford Hill |
Plot Synopsis George Bernard Shaw was always reluctant to have his
plays filmed because he would not tolerate any tampering with his dialogue,
but he was persuaded by Gabriel Pascal to allow a film version of Pygmalion,
the Hungarian film producer gave Shaw the solemn promise that not a
word would he altered. Anthony Asquith was selected to direct it and
also collaborated in the writing of the film script, but Shaw always
had the last word. Some additional scenes were required for the screen
and, after some persuasion, Shaw wrote them - and it was to Shaw that
Hollywood awarded an Oscar for the film script.
The story is about Henry Higgins a professor of phonetics, he wagers
with Colonel Pickering, an authority on dialects, that he can pass
off Eliza Doolittle, a Covent Garden flower girl as a lady. The girl
is persuaded to try the experiment and rigorous training eventually
brings its reward. After a successful tea party given by Mrs Higgins,
Eliza moves on to in ambassador's reception, where she is accepted
as a princess. The experiment successfully over, Higgins decides to
get rid of the girl. By this time Eliza has fallen in love with her
benefactor, and upbraids Higgins for his selfishness: Higgins comes
to see her in a new light as a human being of intelligence and beauty.
Finally he realises he has fallen in love with his own creation, as
in the legend of Pygmalion and Galatea. |
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