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The Battle of the Sexes

Film still

The Battle of the Sexes - 1959 | 84mins | Comedy | B&W

The Production Team

Director: Charles Crichton.
Producer: Monja Danischewsky.
Script: Monja Danischewsky. (from the James Thurber story The Catbird Seat)
Cinematographer: Freddie Francis.
Film Editing: Seth Holt.
Art Direction: Edward Carrick.
Costume Design: J.B. Johnstone and Vi Murray.
Makeup Department: Trevor Crole-Rees and Maude Onslow.
Sound Department: Ken Cameron, Malcolm Cooke and Len Page.
Original Music: Stanley Black.

The Cast

Peter Sellers - Mr. Martin
Robert Morley - Robert MacPherson
Constance Cummings - Angela Barrows
Jameson Clark - Andrew Darling
Ernest Thesiger - Old MacPherson
Donald Pleasence - Irwin Hoffman
Moultrie Kelsall - Graham
Alex Mackenzie - Robertson
Roddy McMillan - MacLeod
Abe Barker - Mr. Meekie

Plot Synopsis

Based on "The Catbird Seat", a short story by the American humourist James Thurber, Charles Crichton’s arch comic fable relocates the action to Edinburgh and features an eminent cast, most notably Peter Sellers in one of his more subtly drawn pre-Hollywood roles. Crichton reunites with his former Ealing associates Monja Danischewsky and Seth Holt for a scenario the Ealing team would have relished; resisting modernity and mass production versus traditional craftsmanship. In Crichton’s hands the film is entertaining, but a more restrained atmosphere means it never quite reaches the hilarious heights of several of the director’s other efforts.

Mr. Martin (Sellers) is the head clerk of an Edinburgh tweed company spurred into uncharacteristic hostile resistance when pompous Robert MacPherson (Robert Morley) inherits the family business, The House of MacPherson, and employs a brash American efficiency expert, Angela Barrows (Constance Cummings). Initially the conservative accountant attempts to sabotage her newly introduced labour-saving devices, but then goes to further extremes after discovering her intention to convert the factory to synthetic fibres. After viewing a whodunit film he resolves to murder her, but Martin’s half-hearted attempt is a dismal failure of slapstick magnitude, however, it does give him the inspiration for a more subtle approach to dealing with Mrs. Barrows – driving her to assumed insanity.