The Red Shoes |
![]() |
The Red Shoes - 1948 | 136 mins | Drama, Romance | ColourThe Production TeamDirector: Michael
Powell and Emeric Pressburger.
Asst Director: Sydney Streeter. Asst Producer: George R. Busby. Script: Michael Powell and Emeric Pressburger. with additional dialogue by Keith Winter (from a story by Hans Christian Andersen) Cinematography: Jack Cardiff. Art Direction: Arthur Lawson. Editing: Reginald Mills. Production Design: Hein Heckroth. Costume Designer: Dorothy Edwards. Makeup: Eric Carter and Ernest Gasser. Choreography: Robert Helpmann. Sound: George McCallum and Charles Poulton. Music Score: Brian Easdale and Ted Drake. (played by The Royal Philharmonic Orchestra) Music Direction: Thomas Beecham. |
|
The CastAlbert Basserman - Sergei Ratov Marius Goring - Julian Craster Robert Helpmann - Ivan Boleslawsky Esmond Knight - Livingstone 'Livy' Montagne Leonid Massine - Grischa Ljubov Moira Shearer - Victoria Page Ludmilla Tcherina - Irina Boronskaja Anton Walbrook - Boris Lermontov |
Plot SynopsisThe centrepiece of this backstage drama from "the
Archers" (writers/directors/producers Michael Powell and Emeric
Pressburger) is a performance of the ballet that lends the film its
title, a tale of love and betrayal is all set within the famed Lermontov
Ballet Company.
Vicky Page aspires to join the Lermontov Company, acknowledged to be the greatest team of ballet dancers in the world. Boris Lermontov is not interested-until he sees her dance. Then he realizes that she will become a great ballerina. An iron disciplinarian, he expects Vicky to dedicate herself completely to her art. For Vicky, that is a particularly harsh demand she is attracted by Julian Craster, the young composer who is another of Lermontov's brilliant protégés. Julian has composed the music for The Red Shoes ballet, a version of the Hans Andersen fairy tale. In it, Vicky achieves stardom. The fantastic shoemaker gives her the magic shoes which impel her to keep on dancing ; she becomes more and more exhausted, until finally she dances to her death. The performance of the new danseuse brings full recognition of her talent. But the unhappy theme of the ballet is borne out behind the stage. Vicky is irresistibly caught between love for Julian and devotion to the ballet. Lermontov, determined to fulfil her genius, is enraged by the human passion which distracts her. He bullies Vicky; he pleads with her. Unable to make the choice between Julian, whom she has married, and her career, Vicky, bewildered and despairing, deliberately brings her life to a premature end. |
|