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49th Parallel |
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49th Parallel - 1941 | 105 mins | War, Drama | B&WThe Production TeamDirector: Michael
Powell. Producer: Michael Powell. Associate Producer: George H. Brown and Roland Gillett. Script: Emeric Pressburger with dialogue by Rodney Ackland. Cinematography: Freddie A. Young. Art Direction: Nugent M. Cloucher, Frederick Pusey, Sydney Streeter and David Rawnsley. Editing: David Lean. Production Manager: John Sutro. Sound: C.C. Stevens. Music Score: Ralph Vaughan Williams. Music Direction: Muir Mathieson. |
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The CastLaurence Olivier
- Johnnie Eric Portman - Lieutenant Hirth Leslie Howard - Philip Armstrong Scott Raymond Massey - Andy Brock Glynis Johns - Anna Richard George - Captain Bernsdorff Anton Walbrook - Peter Basil Appleby - Jahner Niall MacGinnis - Vogel Raymond Lovell - Lieutenant Kuhnecke Peter Moore - Kranz John Chandos - Lohrmann Finlay Currie - Albert |
Plot SynopsisPowell and Pressburger were approached by the British
Ministry of Information to make a film about minesweeping; 'That's First
World War stuff. I want to make a film about Canada... being next to
the USA, they will help to bring [them] in' was Michael Powell's reply.
Heading for the 49th Parallel, the border between Canada and North America,
to scout locations, Pressburger came up with the plot of the film en
route, and a starring cast was quickly contacted. Laurence Olivier,
Leslie Howard, Anton Walbrook, Raymond Massey and Elisabeth Bergner
all agreed to appear in the film at a basic minimum fee instead of their
usual salaries, although Howard apparently later insisted on a percentage
agreement, eventually met by Powell and Pressburger. The role of fanatical
Nazi Lieutenant Hirth was to have been taken by Powell's friend Esmond
Knight until the actor enlisted in the Navy. Instead, Hirth was played
by Eric Portman. Elisabeth Bergner, 'defected' across the border to
the United States instead of returning to London after filming her scenes
in Canada. Glynis Johns replaced her, although most of the outdoor distance
shots featuring Miss Bergner could still be used.
A German submarine is destroyed at Canada's Hudson Bay during WWII, leaving a five man shore party, led by Lieutenant Kuhnecker (Raymond Lovell), stranded on Canadian soil the attempt to head for the safety of the still neutral U.S. Reaching a trading post, they overpower the Factor and Canadian trapper Johnnie Barras (Laurence Olivier), who attempts to shout a warning over the short wave radio and is shot. A plane sent to investigate is hijacked by the Germans, but crashes into a lake, killing Kuhnecker. Lieutenant Hirth (Eric Portman) takes command, leading the four survivors to a Manitoba Hutterite camp of German refugees led by Peter (Anton Walbrook). Hirth asks his 'fellow Germans' for their help in spreading the movement across Canada, but Peter denounces him as a fanatic. When Vogel (Niall MacGinnis) chooses to remain with the community, he is executed by his comrades as a deserter. At Vancouver Kranz is arrested by the Mounted Police while Hirth and Lohrmann escape to the Rockies. There they encounter English author Philip Armstrong Scott, researching Indian folklore. Taken captive, Scott manages to break free and capture Lohrmann. Alone, Hirth boards a freight train headed for the neutral United States. Also in the car is AWOL Canadian soldier Andy Brock (Raymond Massey). At the border, Hirth surrenders to customs officers and asks to be taken to the German embassy, but Brock persuades them to wheel the carriage back into Canada where he can show the German what he thinks of the Nazi order. The 49th Parallel is an adventure story, and a bit more. The difficulty is that the natural heroes of its adventure are the campaigning Nazis. The further they get the more you sympathise. An important and effective propaganda film, the strongest possible indictment against Nazism. The 49th Parallel won an Academy Award for Best Original Story (Emeric Pressburger) and was also nominated in the Best Picture and Best Original Screenplay categories. The film was criticised in England for it's sympathetic portrayal of Nazi's, Pressburger responded the Hirth's character was certainly ruthless and that even amongst Nazi's they had to have a sympathetic sort of fellow. Powell joined in by writing to The Times to defend the film and it's financial budget. Despite this The 49th Parallel was England's top-grossing film of 1941. |
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