![]() |
Index | A-Z Listings | Directors | Actors | Film Genres | Film Studios | Forum | Features | Links | Shop | Users Top 100 | History | Feedback |
Fame is the Spur |
![]() |
Fame Is the Spur - 1947 | 116 mins | Drama | B&WThe Production TeamDirector: Roy
Boulting. Producer: Roy Boulting. Script: Nigel Balchin. (from the novel by Howard Spring) Cinematography: Günther Krampf and Richard S. Pavey. Editing: Richard Best. Art Direction: John Howell. Costume Design: Honoria Plesch. Makeup Department: Tony Sforzini. Sound Department: Harry Miller, John W. Mitchell and L.E. Overton. Original Music: John Wooldridge. |
|
The CastMichael Redgrave
- Hamer Radshaw Rosamund John - Ann Radshaw Bernard Miles - Tom Hannaway Carla Lehmann - Lettice/Lady Liskeard Marjorie Fielding - Lizzie Lightowler Seymour Hicks - Lord Lostwitheal Jean Shepherd - Mrs. Radshaw Guy Verney - Grandpa Percy Walsh - Suddaby David Tomlinson - Lord Liskeard |
Plot SynopsisFame is the Spur, was scripted by Nigel Balchin from the novel by Howard Spring, both the novel and the film are generally taken to be thinly veiled portraits of the Labour leader Ramsay MacDonald. Hamer Radshaw (Michael Redgrave), an illegitimate child from the Manchester slum of Ancoats, aspires, as the result of various influences, to the career of a Labour politician. Soon enough, he is seduced by the prospect of power and position, so that he becomes a glamorous Socialist rhetorician, rather than the incarnation of Labour ideals in action. When Labour takes over the government, the transformation is complete. His wife, Anna (Rosamund John), is the one person who sees through his facade but still loves him – gradually she becomes more socially radical and rigorous than her husband. Radshaw’s acceptance to forfeit some of his ideals to reach a position of authority soon has consequences, in the end; he is rejected by a wise electorate and finally accepts a peerage. He becomes Lord Radshaw, an old fool who is barely able to express himself, whose life has been dedicated to preserving his own image. |
|