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Allen Dace
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'The Independent' reports the death of this solid character actor with a distinctive voice :
Patrick Allen Imposing actor with tough looks Published: 08 August 2006 Patrick John Keith Allen, actor: born 17 March 1927; married 1960 Sarah Lawson (two sons); died London 28 July 2006. Patrick Allen was a prolific actor with an imposing presence. His tough, jut-jawed looks lent themselves to villainous or military roles, but his varied career also embraced Shakespeare and myriad parts in theatre, film, radio and television. He starred in the popular TV series Crane, and his distinctively resonant voice was heard on the hit single "Two Tribes", by Frankie Goes to Hollywood, and gave him steady work in later years providing voice-overs. Born in Nyasaland (now Malawi) in 1927, Allen was raised in Canada. He made his screen début as a soldier in Robert Aldrich's thriller World for Ransom (1953), though many sources list his next screen role, a three-word part in Alfred Hitchcock's version of the hit play Dial M For Murder (1954), as his first. He had his first major screen credit as a lorry-owning racketeer in The Long Haul (1957), with Victor Mature and Diana Dors. Other film roles included an Army sergeant in Dunkirk and an officer in I Was Monty's Double (both 1958), prior to his first leading role, as a father whose young daughter is molested by an apparently upright citizen in Cyril Frankel's Never Take Sweets from a Stranger (1960), which dealt delicately with its sensitive subject, though audiences stayed away. Allen also worked extensively with the Royal Shakespeare Company, and it was while appearing with the company that he met the actress Sarah Lawson, who became his wife in 1960. The couple, who had two sons, appeared together as a married pair in the film Night of the Big Heat (1967) and in the radio series Inspector West (1967-71), based on stories by John Creasey. On television Allen had a recurring role as the Bos'n and best friend of a rascally tramp-steamer engineer (Thomas Mitchell) in the series Glencannon (1960). In 1963, while appearing at Stratford-on-Avon as Achilles in the RSC's Troilus and Cressida, he was offered the starring role in the series Crane. As soon as the Shakespearean season finished, he journeyed to Morocco to begin filming the show. He played a successful businessman who, tired of his hectic life in London, moves to Morocco where he buys a run-down beachside café and bar near Casablanca, plus a boat with which he carries out minor smuggling activities. Always one step ahead of the chief of police (Gerald Flood), he was partnered by a colourful beachcomber Orlando (Sam Kydd), a character later given his own series. Crane ran for three years, and Allen stated, "I don't think I've ever enjoyed myself quite as much." Later he starred in another series, Brett (1971), as a dubious writer turned tycoon whose shady past is revealed by extensive flashbacks. Filmed in Malta (doubling for Mexico), it ran for 19 50-minute episodes. He had the intermittently recurring role as wicked Colonel Sebastian Moran in The Return of Sherlock Holmes (1973); won particular praise for his uncompromisingly intransigent Gradgrind in a four-part adaptation of Dickens's Hard Times in 1977; and played Sarah Ferguson's father in the TV movie Fergie and Andrew: behind palace doors (1992). His many action movies included The Night of the Generals (1966), When Dinosaurs Ruled the Earth (1969), The Wild Geese (1978), The Sea Wolves (1980) and Who Dares Wins (1982). In the early 1970s, he made a series of striking commercials for Barratt Homes in which he was flown by helicopter to new housing developments. He also narrated two Public Information films in the "Protect and Survive" series, made in 1975 to advise on action to be taken in the event of nuclear fallout. On the Frankie Goes to Hollywood single "Two Tribes", which topped the UK charts for nine weeks in the summer of 1984, Allen performed a voice-over parodying the "Protect and Survive" narration. He was voice-over artist for the 1990s comedy series The Smell of Reeves and Mortimer and Vic Reeves' Big Night Out, narrated the first series of The Black Adder (1983, and appeared in the last episode) and narrated the children's animated series TUGS (1989), playing Captain Starr. Last year, he became the voice of the youth-orientated television channel E4, providing its often irreverent self-advertising promotions, such as its film slogan "Big Shiny Films in Your Dinky Little Home". Tom Vallance Imdb entry. |
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julian_craster
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Obituary
Patrick Allen Versatile actor blessed with a distinctive voice and considerable business acumen Dennis Barker Wednesday August 9, 2006 The Guardian Though he always maintained that he was first and foremost an actor - for television and films, as well as for the Royal Shakespeare Company and the West End - Patrick Allen, who has died aged 79, spent the second half of his career primarily as the self-styled "grandfather of the voice-over" for TV commercials. This led him to the more profitable role of businessman, as part-owner of a Soho studio specialising in production services in that field. Tall, gravel-voiced and with a jutting jaw, during the 1970s Allen was the visible voice of the helicopter pilot extolling the virtues of Barratt Homes, and the invisible voice behind commercials for, among others, Aquafresh, Boots the Chemist, the Sunday People and the Ministry of Defence. The MoD thought him the ideal voice to have on 20 Protect and Survive videos to be shown on television when a nuclear attack was imminent, giving viewers advice on such things as laying in three weeks' supply of food. The child of a privileged background, Allen confessed that much of his motivation for avoiding the financial unpredictability of acting came from a wish to preserve the style of life he had as a boy. But though his childhood was prosperous, it was not particularly comfortable or conventional. His father, Edward Allen, was of Irish extraction, and involved in founding the House of Bewlay pipe and smoker's equipment firm, which, in the days when smoking was the norm, had a big chain of shops. At the time of Patrick's birth in the British protectorate of Nyasaland (now Malawi), Edward was a tobacco farmer, but he and his wife divorced while their son was still young. Patrick's mother took him back to Britain, where she eventually became the Marchioness of Downshire. Patrick was evacuated to Canada at the start of the second world war, and studied medicine at Magill University, Montreal, for two years, until he suffered a skiing accident and began working for the campus radio station. Having played many parts in school drama - most of them, he would later joke, as girls - he revealed a talent that soon took him on to presenting work with the Canadian Broadcasting Corporation. Abandoning his studies, he took off for Chicago, becoming one of the earliest actors in its television studios. He then headed for Hollywood. While working in jobs that left him free for daytime auditions - as a hotel night clerk, an ice-cream salesman or a night-club photographer - Allen ran into trouble with the local mafia, who objected to some of his photographs. To get away, he borrowed money from the police and went off to earn an anonymous living as a lumberjack. He arrived back in Britain in 1953, and promptly landed a small role in Alfred Hitchcock's film Dial M for Murder. Various stage and film roles, as heroes and villains, followed - he was particularly successful in conveying an air of slight menace - until, in 1961, he joined Peter Hall's Royal Shakespeare Company, playing both at the Aldwych theatre in John Whiting's The Devils and at Stratford as a smouldering and enigmatic Achilles in Troilus and Cressida. He returned to the company in 1972 as King Arthur in the post-Roman epic Island of the Mighty, a production disowned by its writers John Arden and Margaretta D'Arcy. While Allen was an effective presence in such films as The Night of the Generals (1967), Alistair Maclean's Puppet on a Chain (1970) and Who Dares Wins (1982), his was not the sort of personality that led to conventional stardom. On television, he added to his off-centre appeal as an adventurer and intelligence freelance in the series Crane (1963), as a tycoon in the series Brett (1971) and as Dickens' fact-bound schoolmaster and MP Thomas Gradgrind in Hard Times (1977). But it was his commercial involvement, including in the US and the Middle East, that enabled him to prosper, especially in times when the entertainment industry sought safety in banal, rather than striking, personalities. Allen saw himself as an acting professional who could hire out his skills to the job of selling. In the mid-1970s, for instance, he accepted honorary membership of the Society of Snuff-Grinders, Blenders and Purveyors, having lectured more than 1,000 people on the joys of taking snuff as the result of an association with Fribourg & Treyer, the oldest snuff shop in London. His financial acumen earned him Rolls-Royces, Bentleys and, at one time, homes in London (in a mews near Hyde Park Corner), Brighton (a five-storey Regency property) and Portugal. To create the London home for himself, his actor wife, Sarah Lawson, whom he married in 1960, and their two sons, he knocked two houses into one, working to his own plans rather than an architect's, and doing much of the work himself. Allen never lost his niche as a voice of authority and reassurance, even if the contexts for his utterances changed. He was a narrator for the first Blackadder series in 1983; the following year some of his lines from the Protect and Survive campaign helped take the Frankie Goes to Hollywood single Two Tribes to number one in the pop charts; he provided the voice-over for Vic Reeves and Bob Mortimer in their television series The Smell of Reeves and Mortimer (1993-95); and last year he became the voice of Channel 4's digital offshoot E4. His wife and children survive him. John Keith Patrick Allen, actor, born March 17 1927; died July 28 2006 |
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bitterblue
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Patrick Allen's wife, Sarah Lawson, appeared in many TV series, films in the 60s and 70s, and she had a well known actor father whose first name escapes me. I seem to remember he spoke as if permanantly intoxicated, and that he had a real problem in this area.
Anyone help me jog my memory? |
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