Dishonour Bright has Walls at his creepiest, IMO though it's hard to judge what audiences were meant to think at the time. I do find the success of the Aldwych farces a bit baffling (Ralph Lynn was supposedly the highest paid actor in Britain c1934 which makes it a bit of a mystery why his film career ended so abruptly) but Walls did morph into a competely splendid character actor in the 1940s
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Blackmail also rears its ugly head and confusion abounds when a creepy character is after one of the ladies (...not Walls).

