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| British Films and Chat For movie polls, thoughts, and discussion.on British films and stars. |
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D Cairns
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Er, I'd be interested in any explanation of what Romero borrowed from 28 DAYS LATER.
I don't think that film had a good script AT ALL, and have been known to go on at boring length about its many inanities and insults to the intelligence. I'd add MY SUMMER OF LOVE to any list of good recent Britflicks. I watched FESTIVAL last night, and while I didn't find it particularly brilliant, it was certainly of respectable intelligence and entertainment value. If we had five films of that quality a year, plus one excellent one, we'd be doing nicely. But we usually don't get any excellent ones and very few decent ones. |
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christoph404
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Aaryk Noctivagus
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DB7
is scavenging through life's very constant lulls
Administrator
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Snow Cake wasn't a patch on Layer Cake.
![]() I feel it's hard to judge the decade just yet as so many films go from ignored/cult standing to recognised classics years later. There's films like My Kingdom, Seperate Lies, Plots with a View etc that no doubt stiffed at the box office but have actors I admire and were enjoyable in some way. |
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Third Man
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Of course I accept that ‘28 Days Later’ most probably got inspiration from, for one, Romero’s ‘Day of the Dead’ (1985) the similarities with the soldiers being holed up in a bunker in ‘Day’ for one and a mansion in ‘28’ are there for all to see, if they care to look. I do like the way that in ‘28’ when the group come across a supermarket though, they take the goods and run, while as in ‘Dawn of the Dead’(1978) the escapees decide to take refuge in a massive supermarket/mall for much of the duration of the film, perhaps a little inside joke there? Boyle has always stated that '28' was not a zombie film and I would agree with him, so why is it that in 'Land' (2005) and 'Dawn' (2004) zombies can suddenly run, was it because of the success of '28 Days Later' ? Simon |
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Wolfgang
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I think "28 Days Later" is probably closer in tone to Romero's 'no zombie' zombie film, "The Crazies". I quite liked it when I saw it, but thought it lost its sense of purpose when Cillian Murphy went Rambo. It should have finished when those squaddies took Murphy outside to execute him, leaving his female companions without any hope whatsover, nicely juxtaposed by Christopher Eccleston's eloquent speech about 'hope' and what that means to his men in practical terms. I think they pandered to their American financiers too much, but still certainly one to watch from this decade.
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Cheeky Bob
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Here's the list I posted in another thread:
Gosford Park, 24 Hour Party People, Control, 28 Days Later, The Descent, London To Brighton, The Queen, Girl with a Pearl Earring, Vera Drake, The Wind That Shakes The Barley, Last Resort, My Summer of Love, The Last King of Scotland, Atonement, Touching the Void, Bend It Like Beckham, Billy Elliot, Red Road, This Is England, Dead Men's Shoes, Bridget Jones's Diary, Sexy Beast, Casino Royale, Wallace & Gromit in the Curse of the Were-Rabbit, A Cock and Bull Story, Shaun of the Dead, Hot Fuzz, Sweet Sixteen, The Magdalene Sisters, Finding Neverland - and a couple of the Harry Potter films weren't too bad either. I'd say the Noughties is definitely ahead of the 1980s and 1990s in terms of worthwhile films, and the 1910s wasn't considered an outstanding Britfilm decade either. |
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christoph404
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Third Man
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