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| British Films and Chat For movie polls, thoughts, and discussion.on British films and stars. |
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#16 |
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Its a strange place elstree studios from the outside the only place i have seen it ,a collection of buildings that must have been build at different times to different designs.But i would suppose it is the home of british cinema and thankfully it survived the property developers ,unlke the place to the side which houses the tesco supermarket
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#18 |
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Senior Member
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Another good link to the same person's website about Elstree.
Elstree Calling | Elstree Film Studios - Past, Present & Future |
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#19 | |
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Senior Member
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Now you can get milk and bread...????? ![]() Aitch,
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#21 |
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Senior Member
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#23 |
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Moderator
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Sure is, because you get Paul Welsh's excellent 'the stars at first hand' type feature articles as well.
The local museum's worth a visit also - no great film exhibit, but the curators know all about the local industry and are more than willing to chat. I went in 'briefly' last summer and ended up leaving Mrs. Smudge outside in the car for well over an hour... ![]() Smudge
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#24 |
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Senior Member
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#25 |
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Senior Member
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Nice to get a mention....
![]() http://www.borehamwoodtimes.co.uk/features/elstreefilmstudios/display.var.2081072.0.the_spirit_of_the_sixties.ph p Aitch,
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#26 | |
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Senior Member
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"Seya next time!" |
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#27 |
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Senior Member
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Bump 1st thread....
Aitch,
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#28 |
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Senior Member
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#29 |
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Junior Member
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When you look at the decline of Elstree, you really have to point the figure at one company, EMI.
EMI back in the 1970s, like Rank, was a vertically integrated film company - owning the studios, cinemas, production and distribution companies - everything that was needed to produce and release a film in the UK. Despite this, EMI's track record in producing hits was pitiful - it's the same old story, one of incompetent, weak and short-sighted management. Even after the merger with Thorn to become Thorn-EMI, there was still little in the way of real investment in the business. And, of course, in the end, Thorn-EMI decided that the film business was far too scary to be involved with and Thorn-EMI Screen Entertainment (TESE) was sold off on the cheap to the Go-Go twins at Cannon, then sold on to Alan Bond, then onto the dreaded Brent Walker, who decided to demolish half of the studio complex and sell it to Tesco. Why was there no company or person in the UK prepared to put their hand in their pocket and save one of the last major major vestiges of the British film industry? Elstree could so easily have been saved in its entirety...but no-one cared. Dave |
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#30 | |
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