Confined to quarters waiting for 'the man' to fix a burst pipe I watched...
THE SANDWICH MAN
Robert Hartford Davis' Michael Bentine vehicle is a comedy compendium of who-was-who at the time in British film character comedy. Simple in structure and plot it is simply a loosely bagged together series of vignettes as Bentine, as the title character, wanders across London observing life.
It is a wonderful record of a city which is fast disappearing, as the 1960s is erased from the landscape.
Beware - the most recent ITV print has excised a whole sequence with Michael Medwin as the sewerman and several more ; why ? I don't know. A relaxing saunter. [img]style_emoticons/<#EMO_DIR#>/biggrin.gif[/img]
A BOY. A GIRL AND A BIKE
Ralph Smart's fairly routine vehicle ; boy-meets-girl, boy-knocks-girl-off-bike, boy-buys-bike-to-meet-girl-again...
The central theme is fairly simple as John Mc Callum comes between Honor Blackman and Patrick Holt and then does the honourable thing at the end and leaves them alone - finding them a place to live in the bargain.
All set in the heady world of bicycle racing, where subplots include young Anthony Newley embroiled in a web of local crime, trying to keep out of borstal, and Cyril Chamberlain as an army deserter who doesn't want the limelight, despite the team's success. Tour-de-France, this isn't. [img]style_emoticons/<#EMO_DIR#>/huh.gif[/img]
THE NIGHT STALKER
Not British, I know, but directed by John Llewellyn Moxey in the USA, this early 70s 'shocker' TV movie successfully updated the vampire where Hammer dramatically failed with AD 1972, and prepared the (unhallowed) ground for SALEM'S LOT, FRIGHT NIGHT et al thereafter.
Still has some genuinely creepy moments, including a brilliant silent vampire (Barry Atwater) and a marvellous cat-and-mouse moment on the staircase in the vampire's lair. [img]style_emoticons/<#EMO_DIR#>/ohmy.gif[/img]
SMUDGE
[img]style_emoticons/<#EMO_DIR#>/devil.gif[/img]
Welcome to my house. Enter freely, and of your own will...
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