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ChristineCB
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FUNNY BONES, absolutely. Also gets a huge nod for its incredibly strange and well-fitted soundtrack. What a menagerie of music.
I'll be sorry if Lee and Oliver never get the chance to do a better film, but I place FUNNY BONES at the top of most of my Favorites lists, so maybe doing one great film will be enough. Lee's Radio-Boy skit is often cited as the film's skit high-point, but the numerous auditions as well as the Spaghetti Restaurant skit are superb, too. Truly a wonderful ode to Blackpool. |
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penfold
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Champagne For Caesar....Hollywood, early 50's comic precursor to Quiz Show....Ronald Colman as a highly intelligent and well read unemployed man who goes on to a 'Who Wants to be a Millionaire' style quiz show to gain revenge on the soap company who sponsor it...only they have forgotten to put an upper limit on the 'double or quits' format....and soon he's about to own the firm. Colman his suave impeccable self, Vincent Price is the comedy soap manufacturer, Celeste Holm his Mata Hari, and Mel Blanc the reprobate parrot...Good fluffy fun, with some sly digs at the US TV industry of the fifties.
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penfold
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ChristineCB
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Pen, I'm too uneducated to catch the Bonzo Cameo.
There are so many films - and TV adverts - that use background actoin as the attention-getter. Good grief, they could have stood those two "brothers" in the background for a dentist-drill ad, and receive more attention than Who Shot JR episodes almost. I don't know why FUNNY BONES will end up on the Overlooked heap. I think it starts too slow, perhaps. Out on the boat, the exchange. Maybe that was too slow for the 30-second-attention-span crowd. I don't know anyone who's seen it that doesn't rave about it. I just don't know that many folks that see it! Lee Evans' American follow-up MOUSE HUNT has laughs all its own, but I don't think anyone singled out Lee's performance enough to beckon their interest in his earlier work. Too bad - their loss. When I rewatch FUNNY BONES, it's still the soundtrack's audacity that surprises me. A total mismash of unusual numbers, from the Las Vegas faux singer to the quirky blues intro to Blackpool. Who in their right mind would have scored a film like that? Yet it's a perfect fit - the music never lets me get bored or too comfortable with its place in any film-segment, and the film's finale warns me never to get too complacent predicting any earlier scene's outcome. |
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penfold
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foha80
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It better be good as i don't like spending money just before I go to bed. Cheers terry |
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ChristineCB
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FUNNY BONES was indeed undermarketed. I went to see it on a lark, and is one of the few films I waited 20 minutes between shows and sat thru it a second time immediately.
Of couse, part of that was the embarrassing realization that I couldn't remember how this film started. And when I saw the boat and the faux money-exchange, I kept wondering, "Did I miss this part? Did I come in late?" But once we were watching the Las Vegas singer, ah yes, I did remember this part. I know it starts slow. It's one of my pop-in-for-no-good-reason DVDs, just to have something other than war news and hate-talk TV. Invariably, I waste more time sitting and watching scene after scene. Richard Dreyfuss' LET IT RIDE and occasionally RUTHLESS PEOPLE (Danny DeVito, Bette Midler) also join this rotation. LET IT RIDE strikes similar chords as FUNNY BONES does, but without the odd soundtrack, but even more wierd characters. RUTHLESS just strikes me as a perfect example of the all-too-rare "Be Careful What You Ask For..." film. My suggestion to FUNNY BONES first-time viewers - be patient. It does start slow. There are confusing pieces that make more sense on subsequent viewings but I don't know anyone who's only seen it once. |
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DB7
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