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smudge
is back at work now, but it pays for the weekends!
Moderator
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Quote:
Robertson's of Whitby - licensed fish restaurant and fish & chips takeaway Garrigas - just along from the Drac Experience does the most amazing spanish omlettes ; they come out the size of a flying saucer...gorgeous. Smudge |
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batman
is little big horn
Chief Member
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Quote:
Bats |
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Windthrop
has no status.
Senior Member
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Redgrave's film career did less well as a character actor than as a leading man curiously. After 'The Innocents' he didn't realy get in many great flicks - bar 'The Go Between'.
He did continue his stage work until the late '70s till Parkinsons disease put an end to his regular work. |
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smudge
is back at work now, but it pays for the weekends!
Moderator
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Quote:
I always thought he was 'solid' as Barnes in DAMBUSTERS and perhaps a little too diffident in BROWNING ; haven't watched THE NIGHT MY NUMBER CAME UP in a while so will have to re-visit it. Funnily enough, watching the founder of the 'dynasty' has made me feel that the offspring haven't quite lived up to him in the acting stakes... SMUDGE |
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penfold
is ready for hibernation
Moderator
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On the subject of Michael Redgrave, a mention should go to his performance in The Captive Heart, the best of the POW movies IMHO....
Me, I've been watching All Night Long, released by Network. I bought it to pass on to a US contact, wouldn't have bothered myself as I'm not a jazz fan, and there is plenty of it....but this is a bit good ; it's a take on Othello, re-set in a Jazz warehouse party in early 60's London; Othello is a US bandleader played by Paul Harris - very impressive, though I don't know him; the Desdemona is his retired singer wife; Iago is a jazz drummer who wants to bring her out of retirement for his benefit, played by Patrick McGoohan, Cassio is a sax player cum road manager played by Keith Michell....and meanwhile in the background you have such as Mingus, Tubby Hayes, Dave Brubeck and Johnny Dankworth. Interesting on many levels; for a '61 film the drugtaking is explicit but adultly handled; and the same applies to the two mixed-race relationships in the film. The race issue is never mentioned...nice noirish atmosphere, good camerawork, and a lovely print.... |
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batman
is little big horn
Chief Member
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I watched this last night as well after seeing your 'name that film'. I have had it for ages but never seemed to be in the mood to watch it. I, too, think it is a very good film. Good performances and great music .... and a pretty good plot to work from!
Bats. |
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smudge
is back at work now, but it pays for the weekends!
Moderator
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THE RISE AND RISE OF MICHAEL RIMMER (1970)
At last, thanks to the clearsightedness of Digital Classics DVD I finally got to see this film as it was intended to be seen... A couple of things put me off at first - knowing about the real Peter Cook I couldn't help but think at the start that his natural smugness kept breaking through. Then I had the feeling that this was a bit of self-indulgent Pythoning (the Cleese factor). However, pretty soon thereafter I was drawn into the film itself as the mysterious, Machiavellian, manipulator that was Michael Rimmer wormed his way round people, through the plot and up the political ladder. So, what was it all about ? Search me ! Was it a satire on politics ? A putdown of the seething masses ? Or simply a quick dig at the media in the modern world ? As yet I am undecided. I think it is intriguing yet ultimately unfulfilling. Once Rimmer achieves his ultimate ambition I was left feeling, "...then what ?" It did strike me as being ahead of its time in some respects though, so much so that it might have been titled The Rise And Rise Of Tony Blair... ![]() (Now to watch it again with the commentary on...) Nice use of 60s Walton-on-Thames as Nuneaton though ! ================= GUNS AT BATASI (1964) John Guillermin's character driven piece about the vicissitudes of political life in an African state post-independence, set in an army camp where a handover is taking place. Richard Attenborough gives a fair performance as a career soldier who's been waiting all his life for his own proper war. Once the opportunity comes to him during a coup d'etat, his moment of 'glory' leaves him confused and questioning his lifelong loyalties. The supporting characters (played by the likes of David Lodge, Graham Stark and Percy Herbert) are pretty much stereotypical army types - the dodger, the scholar, the muscles, the quiet reliable type, etc. but are drawn in such a way as to make you concerned about them, thus creating a degree of tension when things start to look bad. Some good roles for Earl Cameron as the legitimate C.O. and Errol John as the coup leader. Also some roles for women where the characters didn't fall apart once the trouble started ; Mia Farrow as a stray UN worker and Flora Robson as a visiting M.P. Ultimately, for all his spit-and-polish and by-the-book mentality, Attenborough's RSM is an intelligent and resourceful man and you do feel his sense of betrayal at the end of the film. Worth a viewing. SMUDGE |
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A Pemberton
has no status.
Senior Member
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London to Brighton 2006
This is an extraordinary raw modern British film,a story of a young homeless girl Joanna(Georgia Groom), and Kelly(Lorraine Stanley), a prostitute, on the run to Brighton from London from some of the nastiest villians ever on screen,told in flashback and with some real intense and excellent close up cinematography. The girls journey over 24 hours is a real rollercoaster of emotions,you cant help but cry sympathy for their plight. The story is bleak and at times very uncomfortable to watch ,in all honesty I have never heard or seen any of the cast or heard of the director (Paul Williams) before but there is some real emerging talent here for the British industry to nurture. Id like to recommend the movie but it comes with a warning of deeply unsettling scenes, topics and situations packaged in a real powerhouse of a film |
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