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| British Films and Chat For movie polls, thoughts, and discussion.on British films and stars. |
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MissGossage
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Junior Member
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The number of 1940s films isn't at all surprising when you consider that that was when British cinema admissions were at an all-time high. Remember when we trumpeted cinema admissions topping 150 million a few years ago? That was a mere tenth of the heights scaled between 1944 and 46, where one-and-a-half billion tickets per year was more the order of things!
Hilarious though Guybrush Threepwood's interpretation was, "anecdotal evidence" actually refers to contemporary accounts in the press of the time referring to a film's success (or otherwise) but without giving precise figures. This helps point researchers in the right direction - the box-office figures for older titles are often available, but usually not in a conveniently compiled form, so it helps to know in advance which films are likely to be worth further investigation. It's a pretty reliable system, though, as the really huge hits are always going to be mentioned somewhere, so the chances of anything slipping through the net and being ignored are pretty minimal. Oh, and it was the BFI who did the research, not Channel Four - they merely publicised it. |
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Guybrush Threepwood
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Senior Member
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Fair point...however, to be totally serious for a mo...
The forgotten componet here is television. By that I dont mean the obvious ( that the arrival of TV stopped people going to the movies ) no, it's more subtle than that... During the 30s, 40s, and 50s, the only way you could watch and see and keep up with world events was on Movietone and Pathe News and the like..people went every week ( often regardless of what was on ) to see footage of the D Day landings, Hiroshima etc etc..I'll just bet if you find the week the first footage of the fall of Berlin was shown you would find a huge number of Cinema attendances....and that this would be REGARDLESS of what was being shown as the main feature. (Fanny by Gaslight anyone?) This is not an old phenomena..a few years ago one of the highest grossing films ( name escapes me ) was put into that bracket by virtue of it being run with the new Star Wars ( Episode1 ) trailer... Threep |
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42ndStreetFreak
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Member
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I have to agree on the general view.
An pointless exercise. What the hell does 'attendence' prove? Like already mentioned..TV hit the cinema attendence. It had nothing to do with WHAT was on at the cinema in quality or even later popularity. During the 80's cinema attendences were severly hit by various things, not least of which was the boom in home video. Guess it was just bad luck for ceertain films released at a certain time..nothing to with genuine comparisons of quality or even popularity! Add a month or so of bad weather, or too good weather, down turn in the economy, ticket prices and what films happen to be released at the same time creating competition that may not exisy the next year, or even the nest month when the schedules change...etc etc....All facets that have nothing to do with any of the actual films out at the time. And in the small UK market, what was a HUGE hit here may have been nothing but an average hit in the U.S.A due to the massive difference in population. Again, nothing to do with the actual films. An utterly pointless poll. |
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Rennie
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Edit
Guest
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I was a very perplexed to see that although 'Doctor In The House' is listed at No 36 in BFI's 'Ultimate Top 100 Films', there is no mention of 'Genevieve', which, as I definitely recollect, was double billed with the former on their release. I would be also interested to hear any information as to why these two classic British films were shown on the same bill, and for how long did this practice continue
I can only summise that 'Genevieve' was considered to be of 'B' quality film standard. If so someone made one almighty financial gaff. I would also like to hear of any similar badly judged double bills in British cinemas during the magic period when we got to see two films for our shilling front stalls. |
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