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| British Films and Chat For movie polls, thoughts, and discussion.on British films and stars. |
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Steve Crook
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Third Man
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The Shout, I've never seen so I ordered it.
Roeg's films are indeed a case for multiple viewings, I just picked up his films on Criterion so I will end up watching them again soon and I've got Oh What a Lovely War! waiting to watch on DVD in the pile of unwatched DVD's that is getting bigger again. Of the P&P films I Know Where I'm Going and A Canterbury Tale come across as ethereal folk tales, I love them. Does the book by Pam Cook on I Know Where I'm Going shed any light on the different things going on in the film? Antonnioni's Blow Up I still can't get my head around that one, perhaps wearing a daisy chain with a flowered shirt might help. How about The Lavender Hill Mob is it a a daydream, an illusion,a melee of one mans mind wandering and reminiscing and therefore a lesson on how we view the past through rose tinted glasses? Simon |
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Steve Crook
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Everett Sloane
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Generally speaking I reckon most British films do the opposite of what you're looking for - they tend towards realism and literalism. I've noticed Lindsay Anderson's films - especially If ... - coming in for some stick here (see the overrated films thread) and I agree his flirtations with revolutionary politics look a bit silly now, but I do at least like the ambiguity of his films. If ..., O Lucky Man! and Britannia Hospital all end with really ambiguous, not to say incomprehensible, images in what is - for me - an oddly satisfying way. Not sure if repeated viewings clear anything up, though ... Also perhaps try Joseph Losey's Accident. It's based on a novel by Nicholas Mosley and another film based on one of his books, Story of a Love Story, sounds as though it would also fit your bill. Haven't seen it though as it seems to be very hard to track down. |
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Joenoir
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Third Man
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Simon |
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