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Old 11-09-2008, 06:26 PM
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Default An Inspector Calls (1954)

An inspector calls and leaves an indelible mark.

A toff English family dinner is interrupted by the appearance of Inspector Poole, he announces that a young lady has committed suicide by the ingestion of disinfectant. At first the family is oblivious as to why this concerns them, but as Poole interviews each family member, it's apparent that one thing binds them all to the mystery.

Adapted from the J.B. Priestley stage play, An Inspector Calls is everything that was great about 50s British Cinema. Simple in structure it may be, but the lack of clogging in any form shines brighter than many a lavish production from this particular decade. The films cause is helped immensely by the quality of the writing, Desmond Davis adding further quality to the already great source provided by the talented Priestley. At first the film leads you to believe that it's going to be a one room interrogation piece, but thru a series of flash backs we are taken out of the room to follow this intriguing story to its quite brilliant finale. There are no histrionics from the actors in this piece, all of them are wonderful because they adhere to the necessity of letting the story be the star. Alastair Sim is perfectly cast as Inspector Poole, a large presence with those highly sympathetic eyes, Sim may be playing the main character, yet he's playing second fiddle to the fleshing out of the Birling family deconstruction, it's a wonderful case where the acting glue is holding it all together.

Director Guy Hamilton does a smashing job of making the film permanently edgy, a sense of unease is palpable throughout, and it's only during the final reel that the heart of the film shows its ace card, and even then, the makers have one more trick up their sleeves. Also worth mentioning is the editing from the sadly uncredited Geoffrey Botterill, so many films containing flash back sequences feel intrusive to the flow of a picture, it isn't here, it's spot on. An Inspector Calls is a wonderful mystery piece that is dotted with moments of unease, but all this would go to waste if the pay off was merely a damp squib, it thankfully isn't, and the likes of Rod Serling and Charles Beaumont were surely nodding in approval.

Highly recommended 9/10.

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Last edited by LieutenantJohn; 11-09-2008 at 06:30 PM..
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Old 11-09-2008, 06:40 PM
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Its a wonderful script. I was in a production of it at University and really enjoyed it. I have only seen the film once and that was many years ago but I remember it sent shivers down my spine.

xx

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Old 11-09-2008, 06:41 PM
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Quote:
Originally Posted by LieutenantJohn View Post
An inspector calls and leaves an indelible mark.

A toff English family dinner is interrupted by the appearance of Inspector Poole, he announces that a young lady has committed suicide by the ingestion of disinfectant. At first the family is oblivious as to why this concerns them, but as Poole interviews each family member, it's apparent that one thing binds them all to the mystery.

Adapted from the J.B. Priestley stage play, An Inspector Calls is everything that was great about 50s British Cinema. Simple in structure it may be, but the lack of clogging in any form shines brighter than many a lavish production from this particular decade. The films cause is helped immensely by the quality of the writing, Desmond Davis adding further quality to the already great source provided by the talented Priestley. At first the film leads you to believe that it's going to be a one room interrogation piece, but thru a series of flash backs we are taken out of the room to follow this intriguing story to its quite brilliant finale. There are no histrionics from the actors in this piece, all of them are wonderful because they adhere to the necessity of letting the story be the star. Alastair Sim is perfectly cast as Inspector Poole, a large presence with those highly sympathetic eyes, Sim may be playing the main character, yet he's playing second fiddle to the fleshing out of the Birling family deconstruction, it's a wonderful case where the acting glue is holding it all together.

Director Guy Hamilton does a smashing job of making the film permanently edgy, a sense of unease is palpable throughout, and it's only during the final reel that the heart of the film shows its ace card, and even then, the makers have one more trick up their sleeves. Also worth mentioning is the editing from the sadly uncredited Geoffrey Botterill, so many films containing flash back sequences feel intrusive to the flow of a picture, it isn't here, it's spot on. An Inspector Calls is a wonderful mystery piece that is dotted with moments of unease, but all this would go to waste if the pay off was merely a damp squib, it thankfully isn't, and the likes of Rod Serling and Charles Beaumont were surely nodding in approval.

Highly recommended 9/10.

Thoughts, comments etc.
It has been a while since I've seen this,but it is a gem. A local theatre school was going to do a production of this a few years,and the school's principal asked me if I would like to be in it,but work pressure made me decline.
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Old 11-09-2008, 06:49 PM
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Quote:
Originally Posted by faginsgirl View Post
Its a wonderful script. I was in a production of it at University and really enjoyed it. I have only seen the film once and that was many years ago but I remember it sent shivers down my spine.

xx
that a lot of people did this at education establishments, that gets my goat because i had to do Taming Of The Shrew


Thanks for being the first peron to respond to me on this wonderful site

FG
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Old 11-09-2008, 09:29 PM
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And, as you say, Alastair Sim is perfectly cast as Inspector Goole. He had that knack of making people feel just a little bit uncomfortable.

A great ensemble cast as the various stories are told

Steve
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Old 12-09-2008, 07:12 AM
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Originally Posted by LieutenantJohn View Post
that a lot of people did this at education establishments, that gets my goat because i had to do Taming Of The Shrew


Thanks for being the first peron to respond to me on this wonderful site

FG
Nothing wrong with The Taming of the Shrew.
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Old 12-09-2008, 07:13 AM
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Quote:
Originally Posted by Steve Crook View Post
And, as you say, Alastair Sim is perfectly cast as Inspector Goole. He had that knack of making people feel just a little bit uncomfortable.

A great ensemble cast as the various stories are told

Steve
Though isn't he called 'Poole' in the film, which spoils the Goole/ghoul pun.
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Old 12-09-2008, 07:19 AM
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Nothing wrong with The Taming of the Shrew.
A wonderful play. I saw a production a few years ago which had one of the best 'moments' in it that I have seen for many a year. A super piece of direction expertly achieved by the actor concerned. Marvellous!

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Old 12-09-2008, 03:04 PM
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Originally Posted by Blanche Fury View Post
Though isn't he called 'Poole' in the film, which spoils the Goole/ghoul pun.
Goole is the name in the play but the tone of the film is far more jolly than the play, hence the fim makers feeling that Goole {Ghoul} wasn`t quite in keping with Sims inspector, so Poole it was.
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