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DB7
is scavenging through life's very constant lulls
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BBC to remake seventies cult drama Survivors
Published Thursday 22 November 2007 at 15:55 by Matthew Hemley Seventies drama Survivors is to be remade by the BBC after the Corporation acquired the rights to develop it from creator Terry Nation’s estate. Set in the present day, the new series will be penned by Primeval and The Ruby in the Smoke writer Adrian Hodges and will be broadcast on BBC1. The original drama, which also played on BBC1, focussed on a post-apocalyptic world in the aftermath of a plague that has wiped out most of mankind and a group of individuals trying to survive. It was launched in 1975 and ran for 38 episodes over three series. Hodges said the theme of the drama was as “relevant as ever”, adding that his version will stay faithful to many aspects of the original, whilst being “accessible to a contemporary audience”. BBC head of series and serials Kate Harwood said: “The opportunity to remake Survivors for a modern generation proved irresistible. After months of negotiations, I am delighted that one of British television’s great cult series will return with original stories packed with adventure and spirit, set against the backdrop of our own recognisable world.” |
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blacknorth
has no status.
Member
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Yes, absolutely right about Hollywood films where a story of global catastrophe is reduced the the story of an actor showing off in a series of spectacular set-pieces. The British approach to such subjects has always been more low-key, spot-on in the literature, from Wyndham on through. Fred Hoyle was the Astronomer Royal - we got A For Andromeda from his pen, but he has many other equally effective books, The Black Cloud, or Fifth Planet.
There's an old disaster novel called A Wrinkle In The Skin, by British SF author John Christopher - it's about an earthquake which destroys much of Britain and possibly the rest of the world (though we never get to know that, as we wouldn't). In it the main character sets out to search for his daughter and spends much of the novel walking across the now drained and empty English Channel. It contains some great cinematic imagery, and of, course, he never finds his daughter. I compare it to the awful Day After Tomorrow which is simply pyrotechnics and heroics with a happy ending for one man tacked on. Similarly British SF author Barrington Bayley's story Man In Transit which was reduced to the awful sentimental gloop of Terminal. Threads was indeed much more effecive than The Day After though I think it drew from the template of The War Game for that. The bits and pieces I've read about the Happening claim its going to be different from most usual Hollywood flicks of that ilk, in that it's going to make a thematic nod to the spirit of WW2 post-war apocalyptic fiction. Perhaps a cross between Triffids and The Death Of Grass. But I guess we won't know until we see it. Funny you should speak about nepotism at the BBC - I thought it was all a myth given fair employment legislation and all that, but I met a friend of a friend who worked in the BBC archives dept and who was planning to move on to other things. Guess who replaced him? His brother. I could hardly believe it, and still can't in a way.
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Steve Crook
is cheeky
Moderator
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Quote:
![]() The BBC aren't the only ones though, it happens in many big organisations, not just media companies. Just look at parliament or the EU commissioners and how many of those manage to employ members of their family Steve |
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