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| British Television Discussion of British television past and present. |
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samkydd
has no status.
Senior Member
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Quote:
There must be hundreds of fictional exploits/cases that a detective can get involved in during the Second World War, it was quite a big event after all, but the episodes I've seen have been a bit lame to say the least. The lead Foyle character has little in the way of charisma, and his sidekicks are even more lacklustre, especially the "jolly hockeysticks" female driver! It takes more than period cars and costume to make a period drama, usually good characters and imaginative storylines come first and then fill the backdrop in later! But it is typical Sunday night fayre, mind numbingly dull and uninspiring, so you go to bed actually looking forward to getting up to go to work the next day! Last edited by samkydd; 14-04-2008 at 11:47 AM. |
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orpheum
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Senior Member
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image45
has no status.
Senior Member
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![]() Shame as I really used to love to watch each week too! |
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Chris OD
has no status.
Junior Member
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I have to agree with Alan Gowdy. In these days of instant gratification, where the plot and cast in most dramas have to move at a racing pace, Foyles War unfolds slowly and subtley and Michael Kitchen is the master of saying everything without words. I think too that Honeysuckle Weeks (Beryl Bainbridge's daughter) is perfect for the part of the driver, injecting just the right amount of naivety and insight into the character. Also, it's good to see Hastings, a town close to where I live, being shown for it's beautiful houses and quaint streets, rather than the thuggish reputation the media apportion to it. Long may the series continue.
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bertie
is still searching for those elusive titles!
Senior Member
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I agree. By the way, think I saw something in the paper to the effect that the new ITV prog chief is casting his eye at this series - poss of reinstating it perhaps? Difficult to understand why the last controller cancelled a series which is well up in the ratings.
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daybaker
has no status.
Junior Member
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I think Michael Kitchen's sense of understatement was perfect for Foyle. Certainly much more suited than a TV-movie I saw where he played a sadistic lothario.
Part of his reticence , I've always felt, is that he didn't really want to keep fighting the criminals and the Army establishment, at the same time. But he knew it was his 'duty'. The war machine was usually more trouble than the killers. With the war abruptly ended to coincide with the cancellation of the show, I don't think a post-war series would work. But I enjoyed it while it lasted. |
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