This is what my son would call:
TLTR (Too long to read) But I needed a rant!
In the interests of research, I watched this last night and discussed it with a friend this morning.
In the end, we decided it was down to ‘respect’ and how ‘postmodern’ you are..
You know, from the outset, that they are going to take massive liberties with the works of Ms Austen. So, you’ve accepted that – but, for me, there are ways and means..
‘Massive liberties’ here, includes, changing the characterisation (Mrs Bennet is transformed from a rather silly, social climbing but concerned mother to a rather nasty piece of work in this..) whole segments of dialogue (popping a bit of modern speech in to an actual Jane Austen line or changing it’s meaning) and the storyline (played with, but, at least, making this clear.)
Plus, in order for the modern-day ‘Bridget Jones’ aspect of the storyline to work they have to take the approach that the most cherished book written by what is considered to be one of the finest female writers in the UK – ever – as, chiefly, a sort of ‘Mills and Boon’ tale ….leaving out the lengthy parts that are purely about friendship and sisterhood and class propriety..
(They even popped in a cheeky reference to the suggestion by a few attention seeking academics that Austen may have had a lesbian relationship with her sister and written a few references to this in her books. Although the vast majority of Austen critics think this is utter nonsense.)
I’m not a huge fan of Jane Austen. The books are readable enough, but, they didn’t offer any solutions to the predicament these women found themselves in – merely reflected it and were quite bitchy really about the poor cows who had no other option than to find a decent husband. It is our modern day interpretation to give it a feminist reading. Plus, the Napoleonic wars were going on during the time she was writing and she mentions it barely a jot – not the men who were being killed and brought home injured…apparently, she was asked once about it and answered ‘Yes, isn’t it terrible that so many people are dying and isn’t it wonderful that we don’t have to know any of them’. And that was it – and yet she is classed as being a searing satirist of the life and times. Basically, a very narrow world view and, although it was shocking the way these women were treated, it was nothing compared to the poverty and genuine hardship experienced by the majority.
Anyway, in this series, the ‘Bridget Jones’ lead character is hankering after the lifestyle and manners of this age. Already, I suspect that the conclusion – like ‘Life on Mars’ – will be that ‘although things have improved – we have lost a few things as well..’ Which was perfect for ‘Life on Mars’ because it wasn’t obvious from the outset and was something we needed to think about – now. If you cannot figure that out about the early nineteenth century - then watching this will not help you…
But, whereas I loved ‘Life on Mars’ and ‘Ashes to Ashes’ (every bit, even the wonky bits) I can only look at this and wonder if it will go down in history as the worst thing the modern ITV has ever come up with and for that, it is a spectacle in itself!
Famous, quite well respected actors keep popping up in this (Hugh Bonneville, Alex Kingston.) I’m not sure how they drugged them to do it or whether they spent last night watching it through their fingers crying. But, if I was in it, I would have been. Even for a ‘bit of a lark’ it is surely insulting to tear apart someone else’s work and thrust, entirely, your own agenda on it. I can’t understand why literary critics can be taken for task for taking liberties with or foisting their own ideas on a literary text and yet scriptwriters for ITV – it’s no problem…
I know it’s been done ‘for fun’ quite a lot with Charles Dickens etc..but again, it is how it is done and who by and so far, this is tacky and ‘disrespectful’ and they would say in my former neighbourhood.
I think they should, at least, be required to keep the lines intact and the characterisation true to the writer’s intentions. She laboured over every word and idea - spent months rewriting until she felt she had perfected it…would not let anybody see it until she felt it ‘worked’. What right has someone got to come in and tear it apart? Also, if you are ‘intending to bring it to a new audience’ – you may end up misleading them entirely…Even if it is meant to be humorous – there are ways and means.