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| British Television Discussion of British television past and present. |
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sanndevil
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Fellwanderer
is just waiting for Jenny to...
Senior Member
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Quote:
Some series seemed to be complete dross but I'm sure there was one that resulted in 3-4 real nuggets - though memory fails me and I'd probably have to check on IMDb. FELL FELL A signature is no substitute for a life |
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samkydd
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Senior Member
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Comedy Playhouse brought us Steptoe and Son in an episode called The Offer. Later on we had other one-offs like Prisoner and Escort which became Porridge, and I believe I'm right in saying that Til Death Us Do Part and Open All Hours were also originally one-offs.
When you write a 30 minute one off it takes a lot of skill to introduce the plot and characters quickly, and make the characters endearing to the audience. If it's then later on made into a series the same benchmark standard should be applied throughout, and that's probably why some we consider "classics" stand head and shoulders above the "also rans"! |
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Marky B
is off line for a while,as I get my new computer
sorted
Senior Member
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Anything with Ken Morley in deserves an instant miss - he has just carried on with the Reg Holdsworth role in anything he turns up in.
Ta Ta Marky B |
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Jack Gurney
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Well, I haven't seen HARDWARE, so I can't comment, but I loved at least three things that Simon Nye wrote- IS IT LEGAL, BEAST and yes, MEN BEHAVING BADLY. Anyone who thinks that programme was just about nob gags for lads is just missing the point.
However, I do wonder these days about the way in which the term 'canned laughter' is used. To me, canned laughter was the kind of stuff you used to hear on THE FLINTSTONES- obviously not real, as one could hear the end cut off far too quickly each time. The real laughter generated by a studio audience will vary, depending on (a) how many times they've had to see it filmed before the take was wrapped and ([img]style_emoticons/<#EMO_DIR#>/cool.gif[/img] how funny it was in the first place. And there are different types of laughs- surprised laughs, shocked laughs, bad taste laughs, and my peronal favourite, where realisation slowly creeps up on the audience as they become aware of something the main protagonist isn't. A classic example would be where Rodney is being watched by Del Boy as he poses in the mirror at his girlfriend's place in the ONLY FOOLS AND HORSES episode 'Happy Returns'. As we become aware of Del's presence in the mirror (signified by cigar smoke), even though we knew he was in the flat before Rodney arrived, our laughter creeps up upon us. Then when Rodney turns round to face him and is greeted by "You little plonk-aaaaah" it erupts. That still works in a good comedy, and is still preferable in my mind to programmes like THE OFFICE, which I never found funny in the slightest. On the other hand, if the programme's shit to start with, which HARDWARE may be, then it won't matter if there's a laugh track or not. But to call all laughter 'canned' is a misnomer- anyone who's ever been to see anything filmed will tell you that. And most of the best comedies ever, from THE LIKELY LADS and STEPTOE to SHELLEY and RISING DAMP, all had it. |
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samkydd
has no status.
Senior Member
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I know someone who went to see Home to Roost being filmed and the laughter is genuine, even on the outside location filming it is played to the same studio audience as the live studio filming.
The worst example I can remember of actual canned laughter was when MASH was sold to some satellite company, and having never had a laughter track in the series at all, they went ahead and put a canned laughter track on it, which as far as I know will stay on it forever on video, DVD, and televison broadcasts! This act of vandalism has effectively ruined what was once considered a ground breaking comedy series in its day! |
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Fellwanderer
is just waiting for Jenny to...
Senior Member
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Quote:
FELL FELL A signature is no substitute for a life |
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