He's one of the few British directors to make contemporary films for mass appeal, something he does without watering them down to the level of banal Working Title rom-coms aimed at the middle classes or art-house films for a couple of broadsheet readers.
His style hasn't changed a great deal and is similar to the fast editing of ex-pop promo directors like Jonathan 'Sexy Beast' Glazer.
Most of his films are chronicling decay, often with a splash of dark humour, Trainspotting was a slide into the non-glamorous effect of drugs, Shallow Grave gave us the greed-influenced break-up of three friends, 28 Days Later was an apocalyptic breakdown of society, The Beach was the dream of an idyllic island trashed, and his new film (Millions) is based around the end of nations currency. He takes a subject - then films the poison envelop it. Thankfully both 28 Days Later and Trainspotting end on a note of hope for at least some of the protaganists.
As long as he continues to avoid casting Hugh Grant and Colin Firth, and stays away from the US, he should remain creatively alive. thumbs_u
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