Quote:
Originally Posted by TimR
I am just finishing Million Dollar Movie. I had known Powell was an outstanding film-maker; I did not know that he was a man of outstanding character.
What I am referring to is this: for several decades, Powell remained essentially outside the film world, unable to achieve what he wanted. The second volume of his very well-written autobiography is filled with missed chances, lost opportunities and unfulfilled plans. Sometimes, as in the case of the film Sebastian, it was due to the unprofessional and unethical behavior of others. Sometimes, it was due to lack of financing. Sometimes, it was due to lack of agreement between many people. Often it was a combination all of these things.
The lost opportunity of seeing a Powell Tempest with a brilliant cast is painful to think about.
And yet! There is no self-pity. No whining and complaining. No drowning his miseries in a spiral of addiction. He was more than entitled to complaints. There are numerous expressions of clean, righteous anger. But no bitterness.
When he is describing his time in California, he mentions that he "returned to my bedsit". I thought: Really? A bedsit? There is a note in my edition from (I think) Thelma Schoonmaker that he was so "broke" at that point that he had no car (in California....!) and a room without a phone.
Well, you wouldn't know it in the book. He never portrays himself as an artist suffering for his craft. He just kept going, persevering, planning - and the late recognition of his and Pressburger's work was of course a great encouragement.
After watching A Canterbury Tale yet again, I have a better understanding of where the noble spirit that suffuses that movie came from. It was in the man.
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In many other ways, he was no saint. Far from it. But you're right, he never felt bitter about his lost chances. Thelma's currently editing a book based on his diaries, he kept them from when he was a child. She's given us a few previews and extracts at some of the events she's presented and his lack of ill feeling is something that she's commented on.
And he was poor as well. In the years before Scorsese found him and Emeric and Micky got various jobs like teaching at Dartmouth and working at Coppola's Zoetrope studio, he was very poor. Columba has told us that although he would go to meet people dressed very smartly, he often hadn't had a decent meal for a week. But he had the love of Pamela Brown to keep him warm
And a Powell version of
The Tempest would have been something to behold. Of all of the
Films not made, that's the one I would have most liked to have seen made.
I sent an email to Thelma and to his two sons to say that our thoughts are with them on this day. She replied this morning thanking us and saying that she's so glad that so many people are now interested in his work.
Steve