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Steve Crook
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Welcome to the forum. I have the sountrack albums from Oh... Rosalinda!! & The Tales of Hoffmann. I didn't realise that they were possible contenders for the title of first soundtrack album. There were also quite a few recordings of the ballet music from The Red Shoes. The one made in 1949 on the 12" LP (Columbia ML-2083) has the music from the ballet on one side and Constant Lambert's Horoscope on the other side. There is also a 1948 LP by the LSO (cond. Muir Mathieson) (Columbia MX328, DX 1957-B ) but that omits the Ondes Martinot. As I run the Powell and Pressburger Appreciation Society (PaPAS) I have a special interest in those titles I have a list of all the known recordings from their films on vinyl, tape, CD etc. at PnP FAQ - Section 2.8. Music from the films Steve |
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penfold
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By the time Gibbons' Phono-Bio-Tableaux (Of the Hippodrome, London) reach Bristol on 27 th May 1901 (2 week stint at the Victoria Rooms with the Royal Animated Picture Co.) he had added Miss Vesta Victoria and The American Comedy Four to the repertoire. 'This marvellous invention faithfully reproduces voice and living pictures......this unique entertainment is quite distinct from ordinary animated photographs.' It says in the advert... Being as it was at the Vic. Rooms it's a bit pricey, and George Robey's on at The Empire; but they have got film of the Cup Final (Some bunch of lower-league amateurs called Tottenham Hotspur I believe) and if you wait 'til June 6th they'll have The Derby....... Mind you, the theory went back still further than the practice; some of Edison's mid-1890's Kinetoscope parlours had versions whereby you could listen to a phonograph through earphones and watch a film on his peep-show style Kinetoscope simultaneously; but....... Wordworth Donisthorpe, my particular hero, suggested in a letter to 'Nature' responding to the announcement of the original phongraph; "By combining the phonograph with the [my] Kinesigraph I will undertake not only to produce a talking picture of Mr Gladstone....recite his latest anti-Turkish speech in his own voice and tone. Not only this, but the life-size photograph itself shall move and gesticulate precisely as he did when making the speech, the words and gestures corresponding as in real life.....by this means a drama acted by daylight or magnesium light may be recorded and re-enacted on the screen or sheet of a magic lantern, and with the assistance of the phonograph the dialogues may be repeated in the very voices of the actors. When this is actually accomplished the photography of colours will alone be wanting to render the representation absolutely complete, and for this we shall not, I trust, have long to wait" ...It's not generally known that talking, colour feature films (and political propaganda shorts) were being proposed in Liverpool in January 1878...... And not entirely fanciful either.....ten frames of a short reel filmed by Donisthorpe from the balcony of the Liberal Club, Trafalgar Square, in 1890, survive.....well ahead of Edison (and WK Dickson) |
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Ken.
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and nothing else, so I asked my self is that a song title, a vocal group, or a combination of both? The research led me to the third conclusion in that it is a combination. Ernie Bayley's 'Edison Bell Cylinders' lists EB 5517 as 'Cornfields' by the American Quartette. No.6 in the Phono-Bio-Tableaux is 'Sally In Our Alley' by the American Comedy Four. EB 5516 is 'Sally In Our Alley' by the American Quartette...Are you still with me?...Thus my conclusion is that the American Comedy Four and The American Quartette are one in the same. However, both songs were issued as a] 'Cornfields Medley' [Pathe 8966], and 'Sally In Our Alley' [Pathe 8964] both by the The American Quartette...Some more research gave me the identities of the group, which is somewhere among my extremely disorderly papers, but if you would like it then I will dig it out for you? |
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penfold
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Ken.
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Britsh screen [and stage] actress, the sublime Wendy Hiller. My other extra favourite actress, 'though from the USA, did make both films and TV here in the UK, I mean of course Bebe Daniels, who, again in my own opinion acted Miss Keeler off the screen in '42nd Street', and, along with her husband, Ben Lyon, remained in the UK during the blitz when it would have so easy to take the first boat home...A great talent somewhat underrated by those I call the 'Afficianados'. One more thing Steve, in your music collction do you have a 'singles' recording of 'I know Where I'm Going' by The Glasgow Orpheus Choir?...Both of which featured in the film...I have a large amount of recording information from about 1897 to 1980ish, but I have yet to find a 'singles' record of the above. Ken. |
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Steve Crook
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It was of course really an Irish folk song and has been recorded by many other people before & since. The Glasgow Orpheus disbanded and re-formed many years later as the Glasgow Phoenix Choir. Some of their older members were juniors in the Orpheus but nobody there seems to remember doing the work for IKWIG. My other task to do with that film is to find out what they're actually singing in that counterpoint at the Ceildhe. "Macafee?" something "in the corn"? It's lovely to listen too, as is the solo. But I'd love to know what they are. Even the Gaelic speakers I've met in Mull (& Glasgow) don't know. See details of various trips to Mull, especially the one last October to celebrate the 60th anniversary. Steve |
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Ken.
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Ken. |
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Steve Crook
is cheeky
Moderator
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Quote:
Maybe I should try the Shazam music tag system Steve |
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penfold
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Ken.
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just might turn up in that era. [I have already completed 'Songs And Music In British Films 1897-1929]. Ken. |
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Ken.
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Anyway, you obviously have a particular interest in early cinema, and, with this in mind, and if you haven't already got it, would you like to borrow F.A. TALBOTS' 'MOVING PICTURES HOW THEY ARE MADE AND WORKED' [1912] ? If so, then please let me know. One more thing. You no doubt know about 'GAUMONT CHRONOPHONE FILMS', numerous short musical films made between 1906 & 1908, which were synchronised to gramophone records. I do have some information about these films, gleaned from the BFC, etc, but I am trying to follow the trail of the actual recordings used in that were they 'Ordinary' records, or specially created for the films? And if so, by whom? I have one possible 'lead'...Many of the artistes in the films recorded for 'Sterling' cylinders, and many of these recordings were transposed to Pathe single sided discs, but there it rests at the moment. Ken. |
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penfold
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The book I hadn't heard of...I may seek it out; but I am the worst borrower in the world, so keep your copy safe !! I had heard of Chronophone but know little about them; the one guy I know who will certainly know something about the subject I don't have a contact number for, do you know Tony Fletcher? Lovely guy, great friend too, but we only ever see each other at film do's..I'll ask him next time I see him. |
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