Hans Zimmer and Nick Glennie-Smith
For the most part,recording a soundtrack in Europe is a financial consideration.Hollywood pays a "buy out" fee that precludes the residual payments that American musicians recieve.On big profit making movies,such as Lord Of The Rings,this can be a considerable ammount.
However ,many composers actively choose to record with bands such as the LSO or freelance studio musicians in London.I am fortunate to work regularly as a studio musician and,speaking of my colleagues, the standard is world class.You have to keep on your toes when John Williams is standing in front of you.
I have recorded at Abbey Road on numerous occasions,especially on soundtracks by John Barry,John Williams,Mark Isham,Elmer Bernstein and many others. Studio One,the big orchestral room,is hallowed ground and virtually unchanged since Elgar recorded there,over seventy years ago.It's the Carnegie Hall of recording studios and the history bouncing off it's walls is second only to the amazing acoustics.
Hans Zimmer likes to record at Air studios in Hampstead.A converted church,the acoustic properties are remarkable.This is the venue for Howards Shores "Rings" recordings.
It's difficult to answer the initial question as to "who did what" on the Zimmer/Glennie Smith collaboration.Certain cues are individual efforts and some have differant degrees of input and crossover.Hans has such an eclectic and varied style that who knows where the joins are.
Fred
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