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| Film Music Discussion of film scores and music. |
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Quiller
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Senior Member
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djdave, I've only ever seen Cool Hand Luke once, so can't really remember Schifrin's music.
Schifrin is very cool. I can't wait to get the Season 1 box set of Mission: Impossible in October to hear his music on the TV series. I haven't heard it since I was a kid. |
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djdave
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Senior Member
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I remember reading Schifrin's opinion on the difference between the Main Title music to a film and a TV programme's theme music.
With the former, he said, the audience had already been lured to see the film. Whether by word-of-mouth, or advertisiing, or because they liked the actor/director/subject. Whatever the reason for being there, the audience had paid and had sat down in the cinema. So if the Main Title music wasn't particularly attention-grabbing, it didn't matter: the audience was already there. With a TV programme it was entirely different. The TV could be on in one room, and the potential audience may be in the kitchen, for example, doing something. The theme music had to announce that the show was starting and grab people's attention so that they came into the living room to see what was going on. And if you think of things like Schifrin's Mission Impossible, Jerry Goldsmith's Man From Uncle and Mort Stevens' Hawaii-five0. Home grown examples include Laurie Johnson's The Professionals and Harry South's The Sweeney. |
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Boris_G
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Junior Member
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An important difference between a balalaika and a cymbalom is that the balalaika is rapidly strummed, while a cymbalom has the strings struck with hand-held beaters, creating a more percussive sound (you see one being played briefly in Zorba the Greek): it is this latter instrument which is used in the scores of Ipcress File and Eagle has Landed (it also features in Kodaly's orchestral suite Hary Janos, which I think is worth a listen).
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