Quote:
Originally Posted by Dave Rattigan
I just watched London Belongs to Me (1948) for the first time, and I was struck by the opening sequence's resemblance to that of Odd Man Out (1947). Both open with moving aeriel footage of a city, and Benjamin Frankel's music could be a pastiche of William Alwyn's. Given the surface similarities (both films heavy on eccentric characters in a well-known city), I wonder if London Belongs to Me was trying to cash in on the success of Odd Man Out to some extent?
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Maybe it borrowed, maybe other films borrowed from it. It's not unusual. Have a look at the way that, in
The Ladykillers, Alec Guinness goes up to the door of the lodging house and how his shadow is seen through the windows in the door. Then compare that to Alastair Sim as Squales in
London Belongs to Me and the way that he acts at the door of the lodging house. Guinness gave such a good tribute that often people think that Alastair Sim was in
The Ladykillers.
Steve