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Originally Posted by Ted Holmes
I assume you're talking about the BBC Phil/Gamba disc on Chandos? I was listening to this just yesterday. I agree with you about a certain 'sameness' - others such as Alwyn were infinitely more versatile - but then the titles Rawsthorne wrote for are all pretty grim. I can't imagine what he might have come up with for, say, a St. Trinian's film!
One thought always strikes me about these scores and that is that he 'wrote down' far less than most other serious composers working in film. There's nothing patronising or sensational about his work. There's real integrity and wonderful riches to be found.
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Rawsthorne had a distinctive and somewhat acerbic musical style with a penchant for re-using small musical phrases and themes in different works, one of which from his 2nd Piano Concerto appears in the "Cruel Sea" music.
A Rawsthorne score for a St. Trinian's film is not so absurd as it might initially seem. His delightfully witty "Practical Cats" shows what he could have done with a comedy film.
Towards the end of his life he had his problems. Nicholas Monsarrat's autobiography "Life is a Four Letter Word" refers to: "....small cries of anguish from Charles Frend. Alan Rawsthorne's promised musical score was lagging far behind schedule...."
There is a society devoted to the composer "Friends of Alan Rawsthorne"
The Friends of Alan Rawsthorne - index page and brief biography
See also John McCabe's excellent study of Rawsthorne's life and work "Alan Rawsthorne Portrait of a Composer (OUP)