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Multi-Region
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Quote:
Regarding pre-code movies, I recommend: - FORBIDDEN HOLLYWOOD Vol. 1 (on the cover the legs of Norma Shearer) and - FORBIDDEN HOLLYWOOD Vol. 2 (on the cover a young Bette Davis) Quote:
Robert Last edited by Multi-Region; 17-03-2008 at 07:18 PM. Reason: link |
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Multi-Region
has no status.
Member
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Quote:
Last edited by Multi-Region; 17-03-2008 at 07:09 PM. Reason: link |
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Multi-Region
has no status.
Member
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Quote:
Vol. 1: £ 13.40; Vol. 2: £ 17.44. Much more movie-fun: upgrade your DVD-player to multi-region/region-free/all-region: Link 1 or Link 2. Region-free Blu-ray players by the way: Link 3! About 85% of my DVD collection (many Film-Noirs and pre-Code films) is from Region-1 now; very attractive with the low dollar exchange rate. On-topic again: sometimes I hate Hollywood, today not the dollar rates... Besides, much more movies are available in R-1 and they are often restored. And I like the R-1 DVD cover-art and their low prices. R-1 on-line shop with very low DVD-prices: DVDPacific (accepts £ too). Robert PS My recent DVD player is a multi-region DENON DVD3930. Off-topic, but region-free upgrade for the DENON DVD2930 and DVD3930, a 1 minute-job: 1. Turn power off by Power Switch. 2. While holding the "stop" and "pause" buttons down simultaneously turn the power of the unit by the power switch. 3. Using the remote, press the following numeric number "73194628"; after accepting the code the unit will enter standby mode. 4. Switch off the unit and back on for this to take effect. Last edited by Multi-Region; 17-03-2008 at 07:45 PM. Reason: link |
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TimR
is Out of the Everywhere and Into the Here
Senior Member
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Quote:
But I would strongly disagree with your positive comparison between the post-code films and the pre-code talkies. The era from the 30s through the 50s was the heyday of Welles, Ford, Wyler, Hawks and Hitchcock's American films, and later Zinneman and Huston. It was the time of Preston Sturges and the screwball classics and well as many individual examples of films that were either enjoyable entertainement or, in the best cases, works of art. It was also the era of classic musicals. The pre-code talkies were, very often, trash. The great film makers of the silent era were either no longer working or no longer producing outstanding films. The sound technology was often very poor. They are highly enjoyable, but the mere that fact the producers and writers and directors were allowed to get away with R-rated material did not guarantee a good, or even an acceptable film. Midnight Mary is a crackerjack melodrama and Loretta Young is indeed very beautiful. But it isn't more than that. A Free Soul with Gable, Shearer and Barrymore is the same. Perhaps you are also including the silent films? In that case I would agree with you. But the code would make very little difference there. I will stop now - discussion of American films is not part of this forum, but the title of the thread seems to allow this.
I shall desire more love and knowledge of you |
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