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#31 | |
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. No matter what the politics are,the people who turn up for these occasions do not want to hear the rantings of some radical - if they did,they would elect to go to a meeting on the subject.All she had to do was thank everyone who she worked with on the film,the Academy for choosing her,her peers who were also nominated........ Or better still,just say thank you and an acknowledging nod to the audience and leave the stage with grace. Ta Ta Marky B ![]()
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I once shot an elephant in my pyjamas - how he got in my pyjamas,I'll never know |
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#32 |
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How do you know that the audience (which is many, many more than the few hundreds actually at the ceremony) just want to hear the same speech over and over again? I certainly don't because it's incredibly boring! If one has a global audience of millions and feel strongly about a subject, why not make the most of the opportunity? Why shouldn't Vanessa have a right to free speech, even if some pickets would want to deny it to her.
And if the people actually present don't want any radical action, why did so many of them protest , on the night, at the Oscar to Elia Kazan? The Oscars, like anything else, has become politicised (do people really think that the year's best picture is the one that wins?) and I don't see why actors or anyone else shouldn't use it. Though Vanessa, in fact, wasn't expressing any contraversial political opinions on that particular occasion. |
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#33 | |
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#34 | |
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Ta Ta Marky B ![]()
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I once shot an elephant in my pyjamas - how he got in my pyjamas,I'll never know |
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#35 | |
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Ministers 'covered up' gun crime - Times Online Simon |
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#36 | |
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#37 | |
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Senior Member
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I once shot an elephant in my pyjamas - how he got in my pyjamas,I'll never know |
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#38 |
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I'm intrigued.......what was Harry Lime's speech?
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Mark |
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#40 | |
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Are you making a comparison with the President of the NRA and a murdering pencilling thief whose actions resulted in the mental and physical disfigurement of children? Simon |
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#41 | |
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#43 |
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Senior Member
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oo-er
.......I 'ope he had a Suspender belt with him as well that I could hold the Nylons up with!![]() ![]() ![]()
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Mark |
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#44 |
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#45 | |
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Senior Member
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An extreme example of art being condemned by politics is the treatment of German filmmakers of the twenties and thirties....a friend of mine (As ardent an anti-nazi as myself or anyone else) is helping to run a project studying and restoring the silent 20's films of a minor German director called Hans Steinhof. A number of his films have now been seen and studied, they're decent genre pictures by and large, second division but efficiently told thrillers, rom-coms and the like. But many German critics and film historians will not touch the project with a bargepole; because when the exodus of Jewish talent from the German industry occurred in the early thirties, Steinhof, who had nothing to fear, was promoted in the resulting vacuum and was asked to make the films the new leaders of UFA - Goebbels and co - wanted to have made. He was probably delighted in the bigger budgets...but ended up associated with some of the nastier propaganda films made. These I understand not being shown outside of an informed audience, but the earlier apolitical films are tarred unfairly with the same brush. Leni Riefenstahl was as controversial, but at least her work was seen.
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Bit of a Bay Window, what?? |
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