(Thanks for writing so much, folks.)
TITANIC - a great 5-minute special effects of the ship lifting up, people plummeting to their death, etc. But my substantial complaint with the film is, "So, 1500 people are going to die here, but that's not ENOUGH of a drama for you? You have to crank up some love-triangle nonsense, too?!!" Jiminy. This gets one of my Most Hated Films Of All Time votes, although I can see why people love it. I just hate the premise of glossing over everyone's death in lieu of some capricious set-up love triangle. And when I meet lovers of the film, I always argue that point and watch them go, "oh well, yes, I guess so", but they are still cooing over Cutesy Boy and the real tragedy is lost on them.
Which takes me back to arguing for public hangings in town centres! (Where IS that rolling pin when I need it?!!)
VERTIGO is a film I can heartily recommend. It's one of those BODY HEAT, BLACK WIDOW kind of films where beautiful women get their way. Sort of.
THE CRYING GAME. Been there, done that. Never seen it again, and barely remember it except for the 'trick twist'. And that's enough.
Steve, as for Shakespeare, no, I never liked any of Shakespeare so when I've heard the Kurosawa pix described in those terms, it was another stake in their hearts. One of those films is hyped as the origin for STAR WARS, but even though I am favorable for the STAR WARS film, I remember that I like about 8 or 10 minutes of each, but everything else is boring to me! Strange...
Oooh, that's right... I haven't seen any of the HARRY POTTER films, only glimpses on TV - some giant being fought in the loo, whoopee. That was enough.
Pen, thanks for the tips about the Chaplin shorts. I have suspected my intolerance is mainly Feature Lengths. I don't really care for Keaton's THE GENERAL because of its length, although there are some fabulous stunts in it. I suspect my intolerance to Silent Features is an indictment of my lack of patience and intolerance for the stagey silent-era acting style.
MALTESE FALCON would get my highest Must-See recommendation, and I could recommend it starting with just the last scene, where Mary Astor is being led away into an elevator, with its doors closing and its bars shadowing across her face, the music building into a triumphant march of Good vs Evil. One of the great Last Lines in all of cinema - "The stuff dreams are made of". If Bogey wasn't a certified star before that line, he was after. But the whole film has some great scenes in it.
I can only recommend LORD OF RINGS in theatres, on the big-screen. Seeing them on teeny TV sets isn't the same. Sort of like LAWRENCE OF ARABIA - to me, those are Big Screen Only films.
FaceOff uttered a line that I am akin to as well - "the hype that accompanies them" can also be my determining factor. Yet, I succumb to it sometimes, and am totally turned off by it on others. I haven't quite figured out why I accept some OverHype and avoid it others. I suspect I avoid those films for other reasons - an actor or two that I don't like? I don't know.
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