![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
vaggmk1938
is in another country
Senior Member
|
I watched "Angels One Five" last night and thought the ending most disappointing. Throughout the film I felt it was a toss-up as to whether Dulcie Gray or John Gregson was going to be the sacrificial lamb.
A much better ending, IMHO, would have been to kill off the girl-friend, Veronica Hurst, maybe by something as unforeseen as being run over by a fire-engine, or ambulance--one would then be left with the Gregson character having attained all he wanted, but lacking the one thing that everyone wants. |
|
|
|
![]() |
![]() |
|
christoph404
has no status.
Moderator
|
Quote:
|
|
|
|
|
![]() |
![]() |
|
batman
is no plane Jain!
Chief Member OBME
|
Quote:
No, I have never noticed that. I will have to dig out my copy of the dvd and have a look. Cheers. Bats. |
|
|
|
|
![]() |
![]() |
|
batman
is no plane Jain!
Chief Member OBME
|
Quote:
For me, Get Carter is one of those films which convey a feeling of 'impending doom' for it's leading character. Once the hitman appeared flashing that awful ring I just knew Carter was going to cop it. Great film. Bats .
|
|
|
|
|
![]() |
![]() |
|
batman
is no plane Jain!
Chief Member OBME
|
Give yourself a treat sir, it is a great film, and I was cheering him on too. Carter was horrible, but the rest were even worse. John Osborne's non-acting really suited his role ... nothing reached his eyes, an effectively creepy performance.
Bats. |
|
|
|
![]() |
![]() |
|
smudge
is back at work now, but it pays for the weekends!
Moderator
|
Quote:
I think I appreciate what you were trying to say - correct me if I'm wrong - you cannot have 'absolute' truth in what is, as I have said before, a situation of fundamental unreality ; it is, essentially, a performance. The characters therein are distillations and amalgamations of the writer's knowledge, experience and creativity ; hence it is difficult (if not impossible) to give this a definition of 'real' even if it does reflect certain elements of reality - as in the social themes of A TASTE OF HONEY. Drama requires this unreality because (obviously) absolute reality doesn't play well. Am I nearer your mark now ? As I said, I'd be interested in discussing how we perceive these characters and how they 'live' for us within the span of the piece (and sometimes beyond) which does, I think, cause that confusion which started this mini debate in the first place.. As to the forum comments, humour has a place here - it would be pretty dry if it didn't. It only becomes a problem when the jokes either overwhelm the core subject, or are so 'in' to a particular group that it makes the forum seem cliquey and puts off new members who might bring something fresh. We've been here before and these spills and upsets are the problem with the written word on the screen - verbal nuances are obviously lost, and one person's interpretation of an innocuous remark can lead to 'toys out of the pram time'. Like any society, be it at large or in this microcosm, it's simply a matter of tolerance. How boring we would be if we were all the same, eh ? ![]() SMUDGE Last edited by smudge; 13-06-2007 at 06:52 PM. Reason: Dumbfinger (typos) |
|
|
|
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|
SEO by vBSEO 3.2.0 ©2008, Crawlability, Inc.
|
Copyright © 1998-2008 BritMovie |