name='earlb']I’ve been a great 3-D enthusiast for many years, so much so in fact I used to make my 8m/m home movies like that and in my days as a cinema projectionist I kept the special 3-D glasses (polaroid) to focus the films from the projection room. It will come as no surprise that the book below is a prized possession as the 3-D photos were taken by the great Harold Lloyd who was an avid and excellent exponent of this medium. He was the first President of the Hollywood Stereoscopic Society formed in 1950.
I've long been fascinated by all the various attempts at 3-D, either with polaroid glasses or glasses with a different colour lens in each eye, or with the viewers where each eye is seeing a different image.
But have any of them managed to overcome the "flat" effect where it looks like everything is on a series of "stage scenery flats"?
Steve



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