Tom Hanks would have to win some sort of award for being miscast in so many, many movies, but I always thought it was a shame the entire cast of Bonfire of the Vanities were wrong (and the film was such a stinker), otherwise it would have been a beautiful little time-piece of life and attitudes in the 80s (much as Wall Street succeeded capturing).
Off the top of my head: The Da Vinci Code, The Ladykillers, Joe vs The Volcano and Dragnet.
This is not to say I don't like him as an actor or a person (I do), but I think he gets some parts that really aren't 'his' just because he's a nice guy and a good box office draw.
Don't forget Philidelphia.
I do like him ( I believe Big is one of great screen performances) but I do agree he plays "nice" excellently but I can't see the dark side of him.Hhe is the antihesis of Fred Mac Murray who sets mt teeth on age as a hero but as the sleazy villian,Double Indemnity andThe Apartment, has no equal.
In retrospect, Philadelphia was a bit of a preachy film - but a very important film for the era it was made. I think Hanks was about the only person who could play a lead character with AIDS without the 'Moral Right' getting their knickers in a twist, purely because he is so likeable. I had a bigger issue with Denzil Washington, who is a perfectly awful actor in any part (even if he is very handsome).
I quite agree, Tom Hanks has no dark side. Or, at least, no convincing dark side. I even struggle with him in 'in command' roles. But stick him in a part like Forrest Gump and the guy's brilliant.
I could not agree more. I think it was as bland, unchallenging and as safe as they could possibly make it - and I think the (mis)casting was a large part of that. But looking at the wider context of where the Americans were at this stage of the AIDS evolution versus Britain and Australia (who were about a decade ahead as far as social acceptance), and given the relative conservatism of an American audience, I can see why the makers were trying not to be too challenging. And The Band Played On came out the same year and was far more honest.
I actually thought Tom was very good in The Ladykillers if you accept that it wasn't actually trying to be an exact fascimile of the Ealing film (which only about 1% of the target audience would have seen). I liked him in The Da Vinci Code too. In fact I can't actually think of any performances of his I haven't liked.
I prefer Hanks in non-nice roles, as stated earlier he gives a good performance in Road to Perdition and he is also pretty good in Angels and Demons, which is under-rated in the action thriller stakes IMHO.