name='Bleach2']I've just bought Andrew Roberts' book about
Waterloo, subtitled "Napoleon's Last Gamble", although I haven't had a chance to read it yet. I must admit that after my experience with
Zulu Dawn, I remain deeply suspicious of American attempts to re-write British history in order to make it accord with their own retrospectively applied prejudices. It is, after all, not
their history. I actually find offensive their "parachuting" in of so-called "Hollywood stars" into stories and settings where they have no place (
Zulu Dawn is a good example of this), as is the sniping envy (for that is what it is) of the Empire which these "characters" then begin to articulate. Hollywood's seemingly obsessive need to traduce and degrade British history and British historical figures is rooted, I believe, in a sense of cultural inferiority to what they are traducing. I have come to think that American culture has an innate tendancy to debase and to degrade (the standard of culture as a whole), and that the Americans remain profoundly envious of those past societies (most notably the British) who have managed to attain and contribute to the world an artistic, political and cultural
excellence which has almost entirely eluded themselves.
However, it does show how deeply entrenched in what passes for "culture" in America is the idea of cinema as an overwhelmingly effective propaganda tool through which the sensibilities of the masses (most of whom - the cynic probably calculates - do not read properly researched history) can be manipulated - or even re-modelled.
The one person whom you can be certain would have admired the methods of Hollywood is Doctor Goebbels.
So much for the anti-Nazi stance of
Valkyrie...^^