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#2 |
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#3 |
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The above BFI release is out of print and selling for silly money.
Cathy Come Home is currently available as part of The Ken Loach Collection Volume 2: - Cathy Come Home (1965) - Hidden Agenda (1990) - Land and Freedom (1995) - Carla's Song (1996) - My Name is Joe (1998) - Sweet Sixteen (2002) - Ae Fond Kiss (2004) - The Wind that Shakes the Barley (2006) And for your information, here's details for The Ken Loach Collection Volume 1 - Poor Cow (1967) - Kes (1969) - The Gamekeeper (1980) - Riff Raff (1990) - Raining Stones (1993) - Ladybird Ladybird (1994) - Bread and Roses (2000) - The Navigators (2001)
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Nucleus Films: DVD Releasing + Extras Production |
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#6 | |
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That's exactly how my other half feels about CCH, Donna- she can't bear to watch it because of the kids at the end. Brillant stuff though ( IMHO ). |
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is still cheeky
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One of the consequences of this film (actually an episode of The Wednesday Play) was the formation of the housing charity Shelter Steve |
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#8 | |
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Actually, that wasn't entirely the case. Shelter was founded in 1966 by a chap called Bruce Kenrick, who was a one man social reform unit. You name it, Bruce Kenrick was against it. Kenrick was a man of enormous energy who had had been campaigning for better housing for years. Shelter would have been up and running with or without Cathy Come Home, although it must be said it didn't do Kenrick's campaign any harm. I must say that I agree with Donna on this. I have the DVD and have found it great for trading on, but it isn't the sort of movie you want to watch if you fancy a bit of a laugh at the end of the day Last edited by trelawnee; 19-05-2008 at 08:33 AM. |
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#9 | |
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is still cheeky
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Steve |
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#10 | |
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is just waiting for Jenny to...
Senior Member
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All the best FELL A signature is no substitute for a life |
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#12 |
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The problem with the crying kids is something that has followed Ken Loach around for much of his career -- in the name of realism, he will upset people for real.
The meanest one might be KES, where the kids didn't realise they were going to get the belt for real. And that doesn't even make sense to me: if Loach wanted realistic reactions, the kids should have known what was coming -- he could have bribed them to accept the belt, and filmed their real anticipation of the event. Instead he filmed acting, followed by inappropriate surprise at the pain. This is more like sadism than realism to me. |
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#13 | |
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is still cheeky
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Quote:
Steve |
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