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| Your Favourite British Films Name your favourite British film or make a case for an underrated classic. |
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DB7
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Must-have movies: Brighton Rock (1947)(Filed: 17/03/2006)
David Gritten reviews a classic that every film-lover will want to own Almost 60 years after its release, Brighton Rock enjoys an unassailable status as one of the greatest British films ever made. It's a classic thriller, a terrific gangster movie and one of the most distinctive versions of film noir ever to originate from these shores. It also boasts one of the most unforgettable bad guys ever seen on a cinema screen: the irredeemably evil teenage hoodlum Pinkie Brown, played with unblinking conviction by Richard Attenborough, himself only 23 at the time. Brighton Rock is one of very few films successfully adapted from Graham Greene's work. Greene co-wrote its script with playwright Terence Rattigan from his own novel, and while it can be argued that the film is a diluted version, it retains an extraordinary power. The story is set between the wars, when, as we are told, Brighton was full of "dark alleyways and festering slums", and crime, violence and gang warfare were rampant. Attenborough's Pinkie leads a gang of older men, all of them intimidated by him to varying degrees. They run protection rackets, carry razors, and attack any unfortunates in their debt without mercy. Pinkie is also trying to muscle in on a more established gang, working the racetrack at Brighton. But his tight, violent little world is gradually closing in on him. After he murders an ex-gangster, he realises that his alibi could be jeopardised by Rose (Carol Marsh), an innocent, naive young waitress in a café. To buy her silence, Pinkie courts and even marries Rose. But his schemes are thwarted by the persistence of Ida (Hermione Baddeley), a blowsy, raucous, middle-aged entertainer in a Pierrot troupe who is convinced of Pinkie's guilt. This being Greene, of course, good and evil, along with faith, guilt and salvation, are never far from the agenda. Pinkie and Rose are both Catholics, and Pinkie believes strongly in damnation's torments: "These atheists don't know nothing," he tells her. He may have the face of an angel (albeit a fallen one), but in truth he's a devil in disguise; even his phone number contains a "666". Yet all Brighton Rock's main characters are in some sort of hell. The film constantly stresses the contrast between the sunny, cheery Brighton that holidaymakers know and its sinister, criminal underbelly. Ida and her bloated drinking friends look faintly grotesque and distorted; Pinkie inhabits a world of shadows and terror. Harry Waxman's masterly black-and-white camerawork frames Pinkie in dark, claustrophobic shots; it's as if he's cornered by his own sense of sin. For the film's second half he carries a mark of Cain, after being slashed in the face by a razor wielded by a member of a rival gang. (In America, the film was re-titled Young Scarface.) On its release, Brighton Rock was seen as genuinely shocking; especially unsettling was the notion that a teenager like Pinkie could be so chillingly evil. The film's ending, which differs from Greene's novel, was the result of an intervention by the (then) British Board of Film Censors. Some critics felt that it watered down Greene's intentions, but the new ending can be seen as a bleak joke about faith and gullibility. It's ironic that Attenborough, long regarded as a benign, patriarchal figure in public life, should be best known as an actor for playing two loathsome characters: Pinkie, and the serial killer John Christie in 10 Rillington Place. Yet his Pinkie is an indelible portrayal - and Brighton Rock an authentic British classic. |
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Steve Crook
is cheeky
Moderator
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Quote:
According to the IMDb Trivia page for the film: The film was meant to end with Rose listening the poisonous recording made by Pinkie, which contained the line, "You said you wanted to know how I feel; well, here it is: What you want me to say is 'I love you'. The truth is I hate you, you little slut..." However, this ending was vetoed by the British Board of Film Censors, who made the film-makers shoot a happy ending. In this version, the film ends with the record getting stuck and repeating the phrase "I love you..." The camera then tilts up to a crucifix, suggesting Pinkie's salvation. Steve |
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tvden
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Senior Member
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Steve its just amazing that the Duke of Yorks has kept going like this and I am so pleased as I go back to Brighton every year and always try and see a film at the Dukes, all the other old cinemas both large and small and there were quite a few!!have now long gone I can remember them all with great fondness to get back on topic, I must admit I really like Brighton rock but then I am biased after living in Brighton for 30 years and being privileged to meet so many of the old stars
Last edited by tvden; 09-03-2007 at 11:07 AM.. |
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batman
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Quote:
Bats. BAT QUIZ 16 HAS JUST BEEN POSTED IN THE COMPETITION THREAD - 06/01/09 |
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jules9
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Junior Member
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"Brighton Rock" is in my view one of the best, NO the best british film of all time.
Now i don't say that because i live in the area, neither because i run a guided tour around Brighton concentrating on places featured in this film. Nope, i say it because this film has a good story, emotion and social realism. Richard Attenborough and Carol Marsh both give stunning performances, Attenborough's Pinkie is just right for me. He comes across as a small time gangster trying to make it whilst competing with the big gangsters in the town like Colleoni. Carol Marsh's naive and innocent Rose is beautifully played out, a shy and unassuming girl who falls for the evil and manipulating Pinkie. This film has CLASSIC written all over it. I love this film. "Brighton rock" walks tour guide |
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stevie boy
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