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| Your Favourite British Films Name your favourite British film or make a case for an underrated classic. |
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D Cairns
has no status.
Senior Member
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Hardcore Kubrickians tend to like BARRY LYNDON best of all the maestro's work. I have others that I prefer, personally, but BL has its own set of passionate followers. Its probably best to not look for traditional narrative and emotional pleasures from it, or characters you can like or identify with, the movie doesn't seem to be playing that particular game: it's a slightly inhuman work, but that needn't be a problem: we need all kinds of films, they don't all have to be ingratiating or even warm.
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brianl
has no status.
Member
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If I am thinking about the right film, what made a lasting impression for me was the battlescene where the camera was placed in the front British line when receiving musket fire from the enemy (French?) The effect when the enemy fired a volley straight at the camera was a heart stopper. One reads about armies in the 17th and 18th centuries just standing in line to give and receive musket volleys but written words cannot fully depict what this would actually have been like whereas this film for me was the next best thing to being there.
A great film Brian L |
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faceoff
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Senior Member
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Quote:
One good thing - I was introduced to the Chieftains' music. Paddy Maloney et al
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Third Man
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Senior Member
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Funny, I can't imagine anyone else apart from O'Neal in the part of Lyndon.
O’Neal’s persona was one of being innocent, naive and of a thoroughly inexperienced person, all of which the character Lyndon started out with, these traits were essential to the character as his downfall was due to the nefarious characters surrounding him and the temptations that his character was too weak to resist. Simon |
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D Cairns
has no status.
Senior Member
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Kubrick said that O'Neal was his first choice and he couldn't have made the film without him.
I agree with all the criticisms made of him: out of his depth, deer in the headlights -- but if you turn them around you can see how they work for the character. Barry never fits in and his drive for success is motivated by this. But he's even more at sea when he becomes rich and secure than when he was struggling. Kubrick always said that if he couldn't get a brilliant actor like Peter Sellers he'd get a genuine "type" (like Slim Pickens who replaced Sellers in one role in STRANGELOVE). This may make sense of Kubrick's casting of Tom Cruise in EYES WIDE SHUT: maybe that awkward self-consciousness was again what he was after? |
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TimR
is Out of the Everywhere and Into the Here
Senior Member
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Quote:
I enjoyed this film a great deal, but I can see why many would not like it. It's slow and rather cold. But it is impressive and handsome, and as someone who always enjoys epics, Kubrick brings his imagination and his ability to create an entire world. I shall desire more love and knowledge of you |
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| barry lyndon, stanley kubrick |
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