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Your Favourite British Films Name your favourite British film or make a case for an underrated classic.


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Old 05-09-2005, 09:48 AM
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Quote:
Originally posted by Fellwanderer@Sep 5 2005, 08:53 AM
Depends which side of the Medway one is born on. A "Kentish Man" is born to the west, a "Man of Kent" to the east. I was born in a nursing home [long since closed] very close to the Medway but have no idea which side!

FELL
Cheers Fell - now I know!


Good morning boys.
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Old 05-09-2005, 03:58 PM
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Quote:
Originally posted by Clinton Morgan@Sep 5 2005, 12:29 AM
There's a lovely movie reference in 'A Canterbury Tale' when Eric Portman says, "...only to play,' I Kiss Your Little Hand Madam'." This of course refers to the scene in the plane in 'One Of Our Aircraft Is Missing' in which Eric was a cast member. Watch carefully, you notice Eric about to break into a knowing smile when he says that line in 'A Canterbury Tale'.
To watch 'The Life And Death Of Colonel Blimp' after '49th Parallel' is to experience quite a delightful shock. To watch 'A Canterbury Tale' after 'Blimp' is "my goodness, what will they come up with next?" despite the fact (if you're a P&P fan, I can never call them The Archers as it conjours up images of Radio 4 at 7pm) you full no well the answer is 'A Matter of Life and Death'.
And then, after AMOLAD, they made some really dramatic films
But AMOLAD is still my personal favourite.

Steve
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Old 05-09-2005, 04:19 PM
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Young devil!
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Old 05-09-2005, 08:06 PM
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Originally posted by Clinton Morgan@Sep 5 2005, 05:19 PM
Young devil!
Would you repeat the question? It, erm, had "enamored" in it.

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Old 05-09-2005, 09:16 PM
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Thanks Steve, that made me chuckle. I'm watching 'Black Narcissus' tonight. Court in session and all that.
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Old 06-09-2005, 06:36 PM
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Quote:
Originally posted by James@Dec 2 2002, 07:09 PM
A Canterbury Tale is the only film I've seen that successfully aspires to the quality of a dream. The love for, and depiction of, a way of life that was vanishing at the time the film was made is simply unsurpassed by any British film before or since. The tragedy is that we have descended from these heights to a situation where Lock, Stock etc. can be hailed as a great film. Even if someone made a film like A.C.T today it would be lucky to be shown. Every critic, director and distributor should be shown this film and told only one word, "Learn".
I first saw A Canterbury Tale some ten years or so ago and was unable to grasp just what an amazing film it is. I have since watched it many more times and have also read the account of the film in Paul Trittons book of the same name.

Although the 'glueman' storyline is rather 'surreal' the film can be credited with giving the viewer a fascinating and somewhat 'magical' view of England in the early war years.

Much can be attributed to its patriotism and naivety for making this unique amongst British films.

Patriotism is not considered PC now but goodnes knows how this nation would have survived without it. A Canterbury Tale is if nothing else, something from which we can learn
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Old 06-09-2005, 07:03 PM
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Quote:
Originally posted by clearview@Sep 6 2005, 07:36 PM

Although the 'glueman' storyline is rather 'surreal' the film can be credited with giving the viewer a fascinating and somewhat 'magical' view of England in the early war years.
What, a man going out at night and squirting a sticky fluid onto women's heads?
What's strange about that?
The first draft of the script had Colpeper going out and slashing the girl's dresses.

It's not a "whodunnit", the culprit is given away quite early on.
It's more like a "whydunnit".

And the landscape is almost like another character. Especially as most films at the time were made entirely in the studio.

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Old 06-09-2005, 09:10 PM
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Aren't sections of the cathedral set blown up photographs? They look like it to me. It doesn't make the film look fake in fact the two dimensionality of it all creates an otherworldly atmosphere. I also like rear projection shots when movie characters are driving cars. I now watch 'Black Narcissus' and mentally point out the paintings.*

Even though I know it is in a studio I still believe that they are in Canterbury Cathedral the same way I still believe that Roger and Wendy are on that small Scottish island.

<span style="font-size:8pt;line-height:100%">*Not in a mocking way of course. I might discuss this at length in the 'Black Narcissus' thread. I believe that the sections of the set that obviously look like paintings are meant to look like paintings due to the film's mood.</span>
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Old 06-09-2005, 10:33 PM
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Quote:
Originally posted by Clinton Morgan@Sep 6 2005, 10:10 PM
Aren't sections of the cathedral set blown up photographs? They look like it to me. It doesn't make the film look fake in fact the two dimensionality of it all creates an otherworldly atmosphere. I also like rear projection shots when movie characters are driving cars. I now watch 'Black Narcissus' and mentally point out the paintings.*

Even though I know it is in a studio I still believe that they are in Canterbury Cathedral the same way I still believe that Roger and Wendy are on that small Scottish island.

<span style="font-size:8pt;line-height:100%">*Not in a mocking way of course. I might discuss this at length in the 'Black Narcissus' thread. I believe that the sections of the set that obviously look like paintings are meant to look like paintings due to the film's mood.
The shots of the Cathedral screen, between the nave and the choir do look a bit too much like the photographs or paintings that they are. But what about the shots where Peter goes in the South door and follows the organist up the stairs. That whole area was re-created in the studio but still fools some Cathedral guides into thinking that it was filmed in the Cathedral.

In fact they couldn't film inside the Cathedral. The Dean wouldn't give permission and anyway, all the stained glass windows had been removed. But there is one shot, sneaked with a hand-held camera, of the roof inside the real Cathedral.

The Town Hall is based on the Town Hall at Fordwich, the smallest Town Hall in Britain. But that was too small to get the cameras and lights inside, so they rebuilt that in the studio.

In Black Narcissus, there are more paintings than you might suspect. Not just the mountains and the amazing vertiginous drop below the bell tower. The buildings of "St. Faith's" were only made with one storey. The rest is added with hanging miniatures.

Steve
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Old 21-09-2005, 06:44 AM
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Quote:
(JIM @ Sep 5 2005, 10:48 AM)
Cheers Fell - now I know!
And I've now discovered thanks to another member that I'm "A Man of Kent"

I discovered A Canterbury Tale a couple of years ago and it has developed quite a hold on me.

For most films, from the unbelievably poor through to the excellent, I find my general impression of them doesn't alter too much - though the poor I do my best to forget about and ignore in future.

A Canterbury Tale is different. I'll admit I didn't think it was great when I first saw it but I was most definitely wrong. It seemed to get under my skin and, despite now having it on dvd, I can't resist trying to watch it every time it is shown and my rating for it goes up every time.

A masterpiece

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Old 21-09-2005, 10:56 AM
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(Steve Crook @ Sep 6 2005, 07:03 PM)
What, a man going out at night and squirting a sticky fluid onto women's heads?
What's strange about that?
Steve
There was a semi-porno film called The Canterbury Tales with a naked Tom Baker romping around the screen. Remembering the images I can see why he is now in Little Briton!

"...the chairman of Littlewoods stores made a Keynote speech!"
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Old 21-09-2005, 03:00 PM
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I've never seen that but isn't that the one by Pasolini with Robin Askwith in it as well? Pasolini also adapted 'The Arabian Nights' and 'The Decameron'. The latter book influenced Geoffrey Chaucer to write 'A Canterbury Tales'. On the Imdb it mentions that a modern version of 'The Decameron' is being directed by David Leland with 'Little Britain's' David Walliams in a role.
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Old 21-09-2005, 05:34 PM
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Yes, Tom Baker was in the Pier Paolo Pasolini version I Racconti di Canterbury (1972), as was Robin Askwith.
It has moments of interest - but not too many of them.

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Old 21-09-2005, 09:41 PM
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Quote:
(Steve Crook @ Sep 21 2005, 06:34 PM)
Yes, Tom Baker was in the Pier Paolo Pasolini version I Racconti di Canterbury (1972), as was Robin Askwith.
It has moments of interest - but not too many of them.

Steve
Let me guess Steve - you watched it purely in the name of P & P research!

rgds
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Old 24-09-2005, 08:09 AM
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(James @ Dec 2 2002, 07:09 PM)
A Canterbury Tale is the only film I've seen that successfully aspires to the quality of a dream. The love for, and depiction of, a way of life that was vanishing at the time the film was made is simply unsurpassed by any British film before or since. The tragedy is that we have descended from these heights to a situation where Lock, Stock etc. can be hailed as a great film. Even if someone made a film like A.C.T today it would be lucky to be shown. Every critic, director and distributor should be shown this film and told only one word, "Learn".
We did the book at school and that was enough for me! Couldn't understand a word of it! What with that, Homer's Illiad and Macbeth no wonder we loathed the subject at the time! All the good books in the world and we had to have our GCE exam based on the ones that weren't written in English!

I may try and see this film though just to see what Chaucer was running on about!

"...the chairman of Littlewoods stores made a Keynote speech!"
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