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| Your Favourite British Films Name your favourite British film or make a case for an underrated classic. |
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#16 |
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is anticipating the Margaret boxset
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Amazing film. I watched it when I acted in the play version for my drama A-level. I played the judge! If you ask me, Peter Medak is a very talented director and it's a shame he hasn't done more. The final moments of LHHI are devastatingly sad.
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#17 | |
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is still cheeky
Moderator
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Quote:
Steve |
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#18 | |
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is still cheeky
Moderator
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Quote:
Steve |
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#19 |
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is A potential lottery winner
Senior Member
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As per Tim Spall's film, 'The Last Hangman'. Let us hope we've seen the last of it. Deterrant? It possibly was but murders plan to get away with it. They knew the consquence, they thought they wouldn't be caught.
'10 Rillington Place', 'Yield to the Night', 'Dance with a Stranger' & 'Let Him Have it', in my opinion they all captured the mood and greyness of the 50s perfectly. A bygone era. An era of the 'system' always knew best and could always be trusted. 'Now be quiet and do as you're told!' Say a little prayer that you won't ever be anguished parents, waiting for your clock to click onto 9a.m. in order that the state can make the world safer for everyone else. If Bentley's execution scene is seen as powerful I would suggest that shot of the family huddled together in their lounge tops it. Never again, not in my name thank you! ![]()
__________________
.....You wouldn't hear it, if they were shooting at me with howitzers! |
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#20 |
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is cautiously optimistic
Senior Member
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Just returning to the actual film for a moment - I saw it at the weekend with my partner and we were both profoundly moved by it. We disagree on the question of capital punishment but were united both in our admiration for the performances and in the excellent job the film made of highlighting this case in particular and the whole notion of 'justice'. Whatever factual inaccuracies there may have been are surely excusable given the demands of the dramatic format and the film remains IMO an excellent, if sadly rather minor, example of a British crime-related film ( likewise Pierrpoint/The Last Hangman which doubtless also took liberties with the truth but remains a fascinating examination of both a remarkable public servant and the flawed system he served so faithfully ). I was particularly impressed with Michael Elphick's performance as a humane prison warder who makes Bentley's final days more bearable. Its only a small part but Elphick does it proud - a fine example of how a talented supporting player can add so much texture to a film.
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