![]() |
Index | A-Z Listings | Directors | Actors | Film Genres | Film Studios | Forum | Features | Links | Shop | Users Top 100 | History | Feedback |
Carry On Cleo |
![]() |
Carry On Cleo - 1964 | 92mins | Comedy | ColourThe Production TeamDirector: Gerald
Thomas. Producer: Peter Rogers. Associate Producer: Frank Bevis. Script: Talbot Rothwell. Cinematography: Alan Hume. Editing: Arche Ludski. Art Direction: Bert Davey. Costume Dept: Julie Harris. Make-Up: Geoffrey Rodway. Sound: Christopher Lancaster. Original Music: Eric Rogers. |
|
The Cast Kenneth Williams
- Julius Caesar Sid James - Mark Antony Kenneth Connor - Hengist Pod Charles Hawtrey - Seneca Joan Sims - Calpurnia Jim Dale - Horsa Amanda Barrie - Cleopatra Julie Stevens - Gloria Sheila Hancock - Senna Pod Victor Maddern - Sergeant Major Jon Pertwee - Soothsayer |
Plot SynopsisCarry on Cleo is a film bristling with comic assurance and a timely deflation of the mega-production Cleopatra with Elizabeth Taylor and Richard Burton. At the heart of Cleo is the stunning and delightfully dotty performance of Amanda Barrie as the seductive Queen of the Nile, cleverly constructed as a naive and childish figure. Amanda's simple-minded commands and fluttering eyelids are a masterly piece of work and her relationship with Sid James is priceless. James comes fully to the fore in this, his first venture into Carry On history. When he joins forces with Amanda Barrie's mindless Cleo, the gags flow thick and fast, with Sid's streetwise hold on the situation highlighting the childish naiveté of Barrie during the 'loan' word play. Kenneth Williams, in arguably his finest role as the manic Caesar, has the perfect sounding board for his camp, flamboyant outbursts. While these characters run the Roman Empire, back home in stone
age Britain, bumbling Kenneth Connor and hot-blooded hero Jim Dale
are enjoying the quiet life. Once the wires cross and the two elements
combine, the Connor/Dale contrast comes brilliantly into effect. In
fact, most of the cast act like Shakespearean travelling players,
interpreting the historical in the style of the English stage via
their own eccentric British traits. Though Joan Sims turns in a totally
convincing representation of historical realism as she wails and bemoans
her fate. However, it is Connor's humbling Englishman abroad that
gets the funniest lines, when these Anglicised Romans don't understand
his cultural references. Cleo is quite clearly a landmark in the history
of Carry On, with a perfect cast of expert players, a well rounded,
do anything for a giggle screenplay, and sets that the usual budget
could never have afforded. All the elements come together superbly
for one of British cinema's most respected and effective comedy films. |
|