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Carry On Screaming! |
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Carry On Screaming! - 1966 | 97mins | Comedy | ColourThe Production TeamDirector: Gerald
Thomas. Producer: Peter Rogers. Associate Producer: Frank Bevis. Script: Talbot Rothwell. Cinematography: Alan Hume. Editing: Rod Keys. Art Direction: Bert Davey. Costume Dept: Emma Selby-Walker. Make-Up: Geoffrey Rodway and Stella Rivers. Sound: Arthur Rideout, Ken Barker and C.C. Stevens. Original Music: Eric Rogers. |
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The CastHarry H. Corbett - Detective Sergeant Bung Kenneth Williams - Dr. Watt Jim Dale - Albert Charles Hawtrey - Dan Dann Fenella Fielding - Valeria Joan Sims - Emily Bung Angela Douglas - Doris Mann Bernard Bresslaw - Sockett Peter Butterworth - Constable Slobotham Jon Pertwee - Dr. Fettle Michael Ward - Mr Vivian Tom Clegg - Odbodd |
Plot SynopsisWithout doubt this is one of the series' finest productions,
awash with delightfully bad jokes, stunning performances of manic horror.
In the absence of Sid James, Harry H. Corbett stepped brilliantly into
the spotlight as the Holmesian Scotland Yard detective, hot on the trail
of ghouls, disappearing women and rather hairy creatures. Harry contributes
a stunning performance of dogged determination, sceptical raised eyebrows
and incompetence and is blessed with the nagging of Joan Sims as a domestic
feed for comic business at his Victorian home. His Dr. Watson is brought
to life by Peter Butterworth, in the first of several outstanding character
supports which hover down the cast list but grab most of the best lines.
The first image that wanders into view is Tom Clegg's outstanding monster,
shaking the leaves as he passes through the undergrowth, moving out
of the world of Hammer and straight into a comical evocation of innuendo-sprinkled
fear from Jim Dale and Angela Douglas.
The interior sets are stunning, with Thomas establishing the ethos
of horror through the crumbling brick seen behind flaking paintwork;
a small, shadowed window; primitive light encased in cobwebs and the
acid stained, experiment-affected floors of the lab - ideally suited
to the obsessions of mad Dr Kenneth Williams and his seductive sister,
Fenella Fielding. The film bristles with mesmerising sequences, taking
a comic look at every facet of the horror cinema. It tackles an insane,
power mad scientist (Williams); a sinisterly seductive temptress (Fielding);
a couple of hand-made monsters (Clegg and Cornelius); the towering,
Karloffian butler (Bresslaw); a beautiful and helpless heroine (Douglas
in the briefest of brief supports); a spooky, cobweb infested mansion;
an eerie, misty wood; murders; a plethora of electronic gadgetry;
werewolves (two fine manic materialisation's from Corbett and Dale);
a living mummy (a typically named Pharaoh Rubbatiti) and a tale of
suspenseful deduction pitting good against evil. |
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