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Carry On Camping |
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Carry On Camping - 1969 | 88 mins | Comedy | ColourThe Production TeamDirector: Gerald
Thomas. Producer: Peter Rogers. Script: Talbot Rothwell. Cinematography: Ernest Steward. Editing: Alfred Roome. Art Direction: Lionel Couch. Costume Dept: Yvonne Caffin. Make-Up: Geoffrey Rodway and Stella Rivers. Sound: Ken Barker and Bill Daniels. Original Music: Eric Rogers. |
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The CastSid James -
Sid Boggle Kenneth Williams - Dr Soaper Charles Hawtrey - Charlie Muggins Terry Scott - Peter Potter Joan Sims - Joan Fussey Barbara Windsor - Babs Hattie Jacques - Miss Haggerd Dilys Laye - Anthea Meeks Bernard Bresslaw - Bernie Lugg Peter Butterworth - Joshua Fiddler |
Plot SynopsisCarry On Camping has no plot to speak of - it is simply a collection of familiar eccentrics going on a camping holiday. That, as they say, is it, but when you have Sid James and Bernard Bresslaw moaning about the weather and the crummy tents, and chatting up the local talent. At the same time, snooty headmaster of a girls' school, Kenneth Williams, and school matron, Hattie Jacques are organising a trip back to nature for their over-sized and over-sexed girls. The middle-class businessman brigade is represented by a pin-striped Terry Scott, who is quickly out of his suit and into country gear for yet another horrendous camping holiday with nagging wife, Betty Marsden. Meanwhile, on the other side of town, Charles Hawtrey is having a bit of difficulty with Valerie Leon in a tent. For the first half hour or so we follow these various misfits through their struggling and hilarious attempts to find the glorious 'Paradise Holiday Camp'. Once the team are settled safely in the field, Sid and Bernard approach
the sexy nymphets of Barbara Windsor and Sandra Caron, Hattie tries
to lure Kenneth into her tent, Charles Hawtrey reunites with a less-than-keen
Terry Scott and an all-night rave-up in the adjoining field threatens
to disrupt several plans for sexual coupling. At the end, everybody's
happy, it's been a whiz-bang cascade through a clutch of loosely linked
sketches and comic devices, but the Carry Ons came out on top with
a timelessly funny example of the team's work and the biggest money-making
film of the year. |
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