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Carry On Abroad |
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Carry On Abroad - 1972 | 88 mins | Comedy | ColourThe Production TeamDirector: Gerald
Thomas. Producer: Peter Rogers. Script: Talbot Rothwell. Cinematography: Alan Hume. Editing: Alfred Roome. Art Direction: Lionel Couch. Costume Dept: Courtenay Elliott. Sound: Ken Barker and Taffy Haines. Original Music: Eric Rogers. |
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The CastSid James -
Vic Flange Kenneth Williams - Stuart Farquhar Charles Hawtrey - Eustace Tuttle Joan Sims - Cora Flange Kenneth Connor - Stanley Blunt Barbara Windsor - Sadie Tomkins June Whitfield - Evelyn Blunt Peter Butterworth - Pepe Jimmy Logan - Bert Conway Bernard Bresslaw - Brother Bernard Sally Geeson - Lily Hattie Jacques - Floella |
Plot SynopsisThey don't come much better than this celebration of the cheap package holiday, all the 1970s' Carry On regulars line up for disastrous foreign meals at a crumbling hotel, as Sid James goes through the motions as his usual loveable, sex-obsessed cockney hero, Kenneth Williams is fully over-the-top as the ferociously proud Englishman given the unenviable task of ensuring a fun-packed holiday and Charles Hawtrey giggles and drinks away from the main group while desperately trying to play leap-frog with the young ladies. Barbara Windsor is the ultimate sex-bomb, struggling to force her various underwear into her case, Bernard Bresslaw is meek and mild as the devout monk who sees the light when modernised and humanised by a loving Carol Hawkins, Joan Sims, as Sid's long-suffering and mildly nagging wife, finds a sort of romantic understanding with typical military Officer-type and all-round coward Kenneth Connor. Peter Butterworth charges round the half-finished hotel like a mad whirlwind, the model of the flamboyant, excitable foreigner, with his deliciously over-bearing, explosive and fiery wife, Hattie Jacques. Arguably the series' most concentrated cascade of funny moments, there is no real hold-up for semi-serious romantics or pathos. It is simply corny joke following one-liner, following outrageous
comment, following sight gag: laughs all the way and a timely jibe
at the ever-increasing popularity for economic holidays abroad. A
collection of comic situations, sexual revelations and collapsing
holiday plans leads to the boring end of holiday party that is quickly
livened up by Sid's injection of a potent sex drug. The party goes
with a swing, Hattie Jacques does her Spanish bull impersonation,
Charlie Hawtrey talks with glee about his hamsters and everybody couples
off. The final joyous scene, with all the holiday-makers surging into
Sid's pub, filling the drinks with elixir and locking the doors for
an all-night party, leaves the audience in the company of comic friends
having a great time, and forms the most satisfying close to any Carry
On. |
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