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Carry On Sergeant |
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Carry On Sergeant - 1958 | 83mins | Comedy | B&WThe Production TeamDirector: Gerald
Thomas. Producer: Peter Rogers. Script: Norman Hudis and John Antrobus. (from the R.F. Delderfield novel The Bull Boys) Cinematography: Peter Hennessy. Editing: Peter Boita. Art Direction: Alex Vetchinsky. Costume Dept: Joan Ellacott. Make-Up Department: Stella Rivers and Geoffrey Rodway. Sound: Seymour Logie, Robert T. MacPhee and Gordon K. McCallum. Original Music: Bruce Montgomery. |
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The CastWilliam Hartnell
- Sergeant Grimshawe Shirley Eaton - Mary Sage Eric Barker - Captain Potts Dora Bryan - Norah Bill Owen - Corporal Bill Copping Charles Hawtrey - Peter Golightly Kenneth Connor - Horace Strong Kenneth Williams - James Bailey Terence Longdon - Miles Heywood Norman Rossington - Herbert Brown Hattie Jacques - Captain Clark |
Plot SynopsisCarry on Sergeant was the beginning of the long running Carry On series. Rogers' main coup was his casting of William Hartnell in the title role, his combination of aggression and affection is invaluable. Fellow refugees from ITV were Norman Rossington and Charles Hawtrey, while others included Bob Monkhouse, Gerald Campion, Terence Longdon, Kenneth Williams and Kenneth Connor. While the comic vignettes were given the full flamboyant treatment by the eccentric squad members, Monkhouse wanders through the proceedings as an every man caught up in frustrating bureaucracy. It is he who is separated from his young wife (Shirley Eaton) and bluffs and whines his way through the hellish National Service system. It is undoubtedly Connor who leaves the deepest comedic paw print on the film. While the dubious romantic ducking and diving and stolen kisses of
Monkhouse and Eaton are at the plot's centre, the real joy of the
script is the army environment and the battle between officialdom
and the man in the street. The finest moments come from the recruits'
failure at every turn of their basic training: the priceless unease
of Connor as he swings on the rope, Williams' high-brow objections
to the bayonet practice, Rossington's bumbling and eventual, quick
skill at dismantling the rifle. The ultimate message of the film is
the love and affection that the recruits hold for the dreaded figure
of Hartnell who has a wager with the sardonic figure of Sergeant Terry
Scott that this, his last batch of recruits before retiring, will
win the title of 'star squad'. |
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