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Carry On Regardless |
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Carry On Regardless - 1961 | 90mins | Comedy | B&WThe Production TeamDirector: Gerald
Thomas and Ralph Thomas.
Producer: Peter Rogers. Script: Norman Hudis. Cinematography: Alan Hume. Editing: John Shirley. Art Direction: Lionel Couch. Costume Department: Joan Ellacott. Make-Up Department: George Blackler and Biddy Chrystal. Sound: Arthur Rideout, Robert MacPhee and Gordon K. McCallum. Original Music: Bruce Montgomery. |
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The CastSid James -
Bert Handy Kenneth Williams - Francis Courtenay Bill Owen - Mike Weston Kenneth Connor - Sam Twist Charles Hawtrey - Gabriel Dimple Liz Fraser - Delia King Terence Longdon - Montgomery Infield-Hopping Esma Cannon - Miss Cooling Hattie Jacques - Frost-faced sister Fenella Fielding - Penny Panting |
Plot SynopsisThis is a mixed-up collection of Carry On delights with a totally meaningless title for a totally plotless array of brief comic situations and familiar character players. As the title suggests, this film is devoid of any real thematic focus, and wanders aimlessly but memorably through a myriad scenarios in which anything can happen. Sid James and his 'Helping Hands' agency is the worthy peg on which the various sketches hang. Kenneth Connor bumbles around nervously as women make advances (a particularly lush Fenella Fielding), Kenneth Williams stomps through the working-class masses with his nose in the air, Joan Sims has the frumpy female gags thrown at her as her sexy figure and Charles Hawtrey minces about in the background with a constant smile and a wickedly sparkling glint in his eye. The element of stability in the film is in the office sequences where
boss Sid James and flustered assistant Esma Cannon dish out the various
odd-ball assignments and try and tie the whole into a seamless comedy
of community and innuendo. Hugely welcome performers wander through
the proceedings as the seven 'Helping Hands' eagerly try and complete
their assignments. All is fine and dandy as the problems are resolved
and the job of cleaning (read, demolishing) one of Stanley Unwin's
properties creates a whiz bang, dust covered, gloriously messy climax
which ends the only way it can - Kenneth W translating Unwin's last
words as 'carry on regardless'. |
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