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Carry On at Your Convenience |
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Carry On at Your Convenience - 1971 | 90 mins | Comedy | ColourThe Production TeamDirector: Gerald
Thomas. Producer: Peter Rogers. Script: Talbot Rothwell. Cinematography: Ernest Steward. Editing: Alfred Roome. Art Direction: Lionel Couch. Costume Department: Courtenay Elliott. Makeup Department: Stella Rivers and Geoffrey Rodway. Sound Department: Ken Barker and J.W.N. Daniel. Original Music: Eric Rogers. |
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The CastKenneth Williams
- WC Boggs Sid James - Sid Plummer Charles Hawtrey - Charles Coote Joan Sims - Chloe Moore Hattie Jacques - Beattie Plummer Bernard Bresslaw - Bernie Hulke Kenneth Cope - Vic Spanner Jacki Piper - Myrtle Plummer |
Plot SynopsisThe Carry On team throw caution to the wind and present an hour and a half of good, clean lavatorial humour. This was the first sign of impending decline in the series and the major flop during a seemingly indestructible purple patch. Cascading with lavatorial gags, references, and, indeed, lavatories, everything in the film is totally over-played and flamboyantly characterised. While I'm All Right Jack was a huge box-office success, Convenience died a death. However, the Boulting Brothers satire was a cleverly written social comment on the unionists' problems, giving both management and workers eccentric figures. Kenneth Williams is W.C. Boggs, the troubled owner of a small company
trying to manufacture fine tolietware. Williams represents the established
world of British industry, clinging on to authority while facing threats
to traditional ideals. The incompetent management are constantly at
loggerheads with a bolshie’s union, led by the ultimate workforce
hero, Sid Plummer (Sid James). Williams' son, Lewis (Richard O'Callaghan),
is the young romantic lead who chases and eventually wins the girl,
Myrtle (Jacki Piper), who is also Sid's daughter, thus joining work-force
with management. The lightweight villain of the piece is Vic Spanner
(Kenneth Cope), an irritating little man of union dreams and constant
strikes, full of communist thoughts and petty minded authority. The
film goes through every corny gag in the book, while the team delight
in overtly stereotyped performances. There is a treasurable domestic
running gag between Sid and his wife, Beattie (Hattie Jacques), and
their budgie Joey, creating the tongue-in-cheek, 1970s' 'women in
their place' attitudes towards Beattie's lazy and bumbling antics.
After the factory day-trip finale, the unionists are slapped on the
wrist and all's right with the world. |
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