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Carry On Behind |
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Carry On Behind - 1975 | 90mins | Comedy | ColourThe Production TeamDirector: Gerald
Thomas. Producer: Peter Rogers. Script: Dave Freeman. Cinematography: Ernest Steward. Editing: Alfred Roome. Art Direction: Lionel Couch. Costume Dept: Courtenay Elliott. Make-up Dept: Geoffrey Rodwell and Stella Rivers. Sound: Ken Barker, Danny Daniel and Pat Foster. Original Music: Eric Rogers. |
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The CastElke Sommer - Prof. Anna Vrooshka Kenneth Williams - Prof. Roland Crump Bernard Bresslaw - Arthur Upmore Joan Sims - Daphne Barnes Kenneth Connor - Major Leep Jack Douglas - Ernie Bragg Windsor Davies - Fred Ramsden Peter Butterworth - Barnes Liz Fraser - Sylvia Ramsden |
Plot SynopsisThis is a modern reworking of Carry On Camping (1969), with all the usual stereotypes in place and a more near-the-knuckle treatment of sex and nudity. Carry On Behind boasts a fine cast of regulars - less than usual certainly, but still enough to keep it firmly in the familiar pattern. Kenneth Williams, grabbing centre stage, minces and whines throughout the piece, giving a performance full of outrageous comments with touches of his youthful 'snide' vocals. Bernard Bresslaw crops up as the ultimate hen-pecked, put-upon husband who falls foul of several comic situations and displeases his wife, Patsy Rowlands, while his mother-in-law, a menacing supporting turn from Joan Sims, joins them on holiday and disrupts the fun. Kenneth Connor, popping up throughout the film as the randy old major who owns the caravan site and Peter Butterworth as the shuffling odd job man give stunning performances - maintaining the continuity of the series with two memorable and battling lead roles. Jack Douglas gives an excellent star performance as his usual jittering self but has a lot more screen time, while newcomer Windsor Davies takes on the impossible task of being the film’s chief sexist. Meanwhile the real revelation of Behind is a fascinating leading
performance from Hollywood star Elke Sommer, who brilliantly wanders
into the film, tossing fractured English comments into the usual concoction
of farce and innuendo. In the end, of course, everybody goes home
happy - the split asunder married couples get back together again,
the bickering married couples find renewed happiness, Kenneth Connor
makes a successful play for the hired stripper (Jenny Cox) and Kenneth
Williams finds himself in the enviable position of camping about in
a pit with Elke Sommer. The dialogue is corny, it's true, and the
essence of simpleminded, no-nonsense fun and games is beginning to
pale, but Behind, following a film that saw the farewell of so many
important contributors, does stand up very well. |
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