I haven't seen such a lavish and exquisitely told Victorian era
story like An Ideal Husband since Martin Scorsese's The Age of Innocence
in 1993. An Ideal Husband has all the admirable qualities of a story
and look similar to an instalment of television's Masterpiece Theatre.
The rules of society were strict and somewhat highly hypocritical
in many instances back in the days of long gowns and tuxedos for casual
wear. Everyone in high society seemed upper crust and trustworthier
than they are perceived today but there was still plenty of blackmail,
adultery, wheeling and dealing and manipulation to be found. An Ideal
Husband casts a negative light on the feisty brawl of politics involving
dishonour, blackmail, the manipulation of a fortune and the will of
one man to keep his dignity. The film also runs a perfect length of
just over 90 minutes and this makes it appeal to those who find this
type of entertainment too highly enlightened for their own tastes.
Set in England, Jeremy Northam portrays Sir Robert Chiltern. A short
time before he is to give an denouncing address to the British Parliament
regarding British support to form a canal through Argentina, he is
approached by the underhanded Laura Cheveley (Julianne Moore) who
supports the canal plan and wants Sir Robert to change his mind and
support it also. Or she will blackmail him with an incriminating letter
that will ruin his reputation and cause his life to come crashing
down like a house of cards. Among the casualties in this house of
cards is Sir Robert's marriage to his wife Gertrude (Cate Blanchett).
The screenplay is by Oliver Parker based on a play by Oscar Wilde
and the dialogue is impeccably written to showcase the tongues of
dignity found in the era shown. The film is relatively simple to follow,
unlike many films of its kind, which take often-needless sub plots
and inject them into a story where it isn't needed. An Ideal Husband
also has the look of a Merchant-Ivory production and the sets, costumes,
cinematography and music score are all to be given an "A"
for effort and successful execution. Other noteworthy members of the
cast are Rupert Everett, Minnie Driver and John Wood. No one seems
out of place and everyone is casted perfectly and the direction and
screenplay adaptation by Oliver Parker is truly an exercise in subtlety.
The mechanics of the film's overall climax are somewhat docile in
nature but are in keeping with many aspects of its own tone. This
film is the type of achievement that I always argue keeps the movie
industry alive because the movies always keep tradition in focus.
Film is arguably the most educational medium if the right movies are
selected to show us a little of the past that for the most part can
pave our future. This film also draws heavily from the origins of
theatre since it is based on a play and the theatre for many is the
true art of dramatic presentation.
Review© Walter Frith.