In the little-seen documentary The London Nobody Knows, narrator
James Mason takes us on a walking-tour around the lesser-known corners
of London. The film was directed by Norman Cohen and based on a book
by historian Geoffrey Fletcher. It's a journey made all the more poignant
and strange due to the fact that many of these landmarks, once simply
obscure, have now disappeared completely.
The film opens with Mason walking around the ruins of the now-gone
Bedford Theatre in Camden, where music-hall singer Marie Lloyd was
a regular performer and which Walter Sickert frequently painted. Mason
is quite unsentimental and laments much of the construction since
Sir Christopher Wren. He visits Camden Freight Terminal and the part
George Stephenson designed locomotive Roundhouse; the narrator notes
the romance of steam but that “we’d be foolish to mourn
them too readily.”
Next, Mason retreats to urban London and we are given a glance of
a thriving street market in Church Street, Edgware Road, and we see
one of the city’s final gas lamp-lighters going about his duty.
The filming moves next to focus on London’s dying buskers, not
the hundreds of contemporary singers with an acoustic guitar performing
popular cover versions, but colourful street entertainer Lord Mustard.
After a brief glimpse of Islington's Chapel Market and the nearby
pie and mash shop, Mason visits a Salvation Army hostel and talks
with the elderly residents; after which there is a brief glimpse of
London’s genuine down-and-outs.
Spitalfields tenements is Mason’s next stop, particularly 29
Hanbury Street which was the site of Jack the Ripper’s second
murder. But history is not always kind to the narrator as Mason looks
on favourably at the then shiny new tower blocks; now often decrepit
and crime-ridden.