Shona Auerbach's assured debut feature Dear Frankie chronicles a
young mother's elaborate attempts to shelter her deaf son from the
truth about his violent father. This intimate Scottish drama might
have become syrupy in other commercially-driven hands but Andrea Gibb’s
stirring script gives warmth and emotional insight into the strains
of a dysfunctional family. The central performances from Mortimer,
Butler and Elhone are exemplary and their well-drawn characters create
a believable relationship of vulnerability, friendship and tentative
romance.
Nine-year-old Frankie (Jack McElhone), his single mum Lizzie (Emily
Mortimer) and chin-smoking grandmother Nell (Mary Riggans) have been
on the move ever since Frankie can remember, most recently arriving
in Greenock on the Scottish coast. Wanting to protect her deaf son
from the truth that they've run away from his abusive father, Lizzie
has invented a story that he is an adventure-seeking sailor away at
sea onboard the freighter Accra. Every few weeks, Lizzie writes Frankie
a make-believe letter from his father, telling of his adventures in
exotic lands. As the fascinated Frankie tracks the ship's progress
around the globe, he discovers that it is due to dock in his hometown.
With the real Accra arriving in only a fortnight, Lizzie decides
to maintain the deception by employing a substitute father in the
shape of a brooding merchant seaman (Gerard Butler). Intended as a
one-day ruse, the arrangement extends into a full weekend as the stranger
bonds with both Frankie ands his mother. But the fragile family harmony
is soon shattered when Frankie’s terminally-ill real father
demands to see his son.