Dear Frankie

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Dear Frankie - 2004 | 105 mins | Drama | Colour

The Production Team

Director: Shona Auerbach.
Producer: Caroline Wood.
Script: Andrea Gibb.
Cinematography: Shona Auerbach.
Editing: Oral Norrie Ottey.
Production Design: Jennifer Kernke.
Art Direction: Margaret Horspool.
Costume Design: Carole K. Millar.
Makeup Department: Irene Napier.
Sound Department: Peter Brill, Mike Grimes, Hugh Johnson and Jeremy Price.
Original Music: Alex Heffes.

The Cast

Emily Mortimer - Lizzie
Jack McElhone - Frankie
Mary Riggans - Nell
Sharon Small - Marie
Sophie Main - Serious Girl
Katy Murphy - Miss MacKenzie
Sean Brown - Ricky Monroe
Jayd Johnson - Catriona
Anna Hepburn - Headmistress
Gerard Butler - The Stranger
Anne Marie Timoney - Janet
Andrea Gibb - Waitress
Cal Macaninch - Davey

Plot Synopsis

Shona Auerbach's assured debut feature Dear Frankie chronicles a young mother's elaborate attempts to shelter her deaf son from the truth about his violent father. This intimate Scottish drama might have become syrupy in other commercially-driven hands but Andrea Gibb’s stirring script gives warmth and emotional insight into the strains of a dysfunctional family. The central performances from Mortimer, Butler and Elhone are exemplary and their well-drawn characters create a believable relationship of vulnerability, friendship and tentative romance.

Nine-year-old Frankie (Jack McElhone), his single mum Lizzie (Emily Mortimer) and chin-smoking grandmother Nell (Mary Riggans) have been on the move ever since Frankie can remember, most recently arriving in Greenock on the Scottish coast. Wanting to protect her deaf son from the truth that they've run away from his abusive father, Lizzie has invented a story that he is an adventure-seeking sailor away at sea onboard the freighter Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As the fascinated Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown.

With the real Accra arriving in only a fortnight, Lizzie decides to maintain the deception by employing a substitute father in the shape of a brooding merchant seaman (Gerard Butler). Intended as a one-day ruse, the arrangement extends into a full weekend as the stranger bonds with both Frankie ands his mother. But the fragile family harmony is soon shattered when Frankie’s terminally-ill real father demands to see his son.